Once again, I find your explanation excellent. I was not aware of that great a known diversity within the Tessar ranks. One Tessar that i have which is really amazingly good is the B@L Tessar on a National Graflex II that I picked up a while ago for fun. The lens lacks the contrast one would want in a modern lens but it resolves well. The camera itself is really a trip. It is fun to use but only for the masochist in me. How Graflex expected this camera to sell is beyond me. It it, without a doubt, the slowest using camera that i have ever used. But, folded up, it is compact..... I keep having this dream of a camera about two inches on a side producing an imade about 6x6cm. Of course, before that I was busy looking for a Minox that could produce a mural. Jerry F. > > > I can say I have one not so good Tessar. Its a 161mm, > f/4.5 in a barrel. It was so bad at first I thought the > middle element might have been turned around. After > re-assembling it a couple of times and making sure > everything was really tight the performace was better but > not up to other Tessars. I don't know what is wrong with it > but suspect there may be a spacing error. Other Tessars I > have are uniformly good. > Zeiss made many variations of the Tessar. Included in the > LensView program I mentioned before is the Zeiss Index. This > was a compilation of lens designs assembled by Willie Merte, > one of Zeiss's great designers. There are no dates on the > entries in LensView but the list appears to have been > started in the late Teens perhaps and carried up to about > the beginning of WW-2. It incudes both Zeiss and other > maker's lenses. Zeiss appears to have disassembled, > measured, and calculated the performance of competitor's > lenses. They vary, some are very good, some awful. Among the > lenses included is a Tessar made for Kodak. If the computer > analysis is to be believed its pretty awful. OTOH, the Kodak > lenses analysed are quite good. Its quite possible the > prescription for the Tessar made for Kodak is inaccurate, > one would have to examine an actual sample of the lens to > know. > Zeiss kept playing with the Tessar design. Among other > versions are a couple featuring aspherical surfaces. These > appear to have exceptional performance, at least from the > residual spherical aberration standpoint. Another curious > thing is that Zeiss worked on the Dagor design extensively. > Evidently, they felt that the Dagor and reversed Dagor had > considerable potential. > Of course, there is no way to know what the performance > of these ancient lenses was like without setting them up on > an optical bench and making tests. The analysis will not be > as thorough as one made using a computer design program on a > prescription but it will be of an actual lens, not just the > potential of a design. One can at least measure the primary > aberrations and get MTF curves. From the MTF curves some > other characteristics can be estimated, for instance edge > contrast. > > --- > Richard Knoppow > Los Angeles, CA, USA > dickburk@xxxxxxxxxxxxx > > --- > Rollei List > > - Post to rollei_list@xxxxxxxxxxxxx > > - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' > in the subject field OR by logging into www.freelists.org > > - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with > 'unsubscribe' in the subject field OR by logging into www.freelists.org > > - Online, searchable archives are available at > //www.freelists.org/archives/rollei_list > > __________________________________________________ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with 'unsubscribe' in the subject field OR by logging into www.freelists.org - Online, searchable archives are available at //www.freelists.org/archives/rollei_list