At 01:02 AM 4/3/2005, Ardeshir wrote: >So I gather that the Tessar is supposed to be an IMPROVEMENT over the >Planar. Why, then, is the Planar generally preferred over the Tessar >among users of the 6x6 format, whether SLR or TLR? Any ideas? Richard >... ? Not the current formulation(s), but the original from the late 19th Century. Keep in mind that a lens name is just that, subject to reformulation and "derivations" over time. The Sonnar, of which I have two different formulations . . . one on a circa mid-1950's Contax and another on a circa 1978 Rollei 35S . . . are similar in concept but substantively different in design execution . . . the former an f/1.5 having 7 elements and the latter an f/2.8 having 5 elements (presumably a reduction in design complexity as lens speed was reduced). AIFK, from the research I did before writing about the Tessar, the current Planar is substantially different from the original created in the late 1800's. I came to the conclusion the current one is a very loose derivative of the original concept. The f/3.5 Tessar on the Rollei 35[T] has very high contrast and produces great sharpness, but does not have the flatness of field found in the f/2.8 Sonnar on the Rollei 35S (which also seems to be a tad lower in contrast). If given a choice of 4 element Tessar, 5 element Sonnar or current Planar in standard focal length on a 35mm camera body, I'd likely choose the Planar. -- John