Weston's pepper: he had spec. aperture plate, like f/280 or something.
On Sun, Feb 17, 2019 at 11:41 AM Richard Lahrson <gtripspud@xxxxxxxxx>
wrote:
Well, if it's a studio set up, test.
On Sun, Feb 17, 2019 at 11:01 AM Tim Daneliuk <tundra@xxxxxxxxxxxxxx>
wrote:
On 2/17/19 12:52 PM, Robert Shanebrook (Redacted sender makingkodakfilm
for DMARC) wrote:
When in doubt the Sunny 16 has always served me well under a commonconditions.
That works pretty well for normal SBRs and if you rate the ASA as 1/2 that
specified by the manufacturer in my experience.
The problem is that shooting during a setting sunset AND you are shooting
into it - say a sunset over the ocean - you end up with a very big SBR
with a lot of specular highlights off the water, for example.
In high SBR scenes, you have to adjust your ASA for underdevelopment - to
hold highlight detail as best you can - and then expose for the shadows
as usual, In this cases Sunny 16 isn't much help, unfortunately...
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