---- E. Yost writes of God as a 'literary character' in the book, "The Bible". Don't know. I try to read the Bible while omitting most of the references to God. Which I find otiose. In terms of dramatic impact he _is_. Consider Salome by Strauss, or Judith/Oloferne or Samson e Dalila. All excellent operas. What does God bring to the proceedings? Nothing! In the old days, (Camerata Fiorentina), God did play a role in opera (deus ex machina). But soon, after Monteverdi, it was found otiose. What audiences wanted was _human_ drama. Ditto for Euripides. It's true, they say, the good ones like Aeschylus -- and say it all goes to the dogs with Sofocle and Euripide. But God is not really operative in Aeschylus even. It's Oreste who kills her mother. ATHENA: You are a matricide. You killed your mother. ORESTE: (silenced) JURY: That's not true. Or it's only part of the story. He recovered the honour of his father. And for that he is to be saved and pardoned. And a good thing it was too. Note that in Sartre, the flies follow Oreste like shit. That's wrong, no? Cheers, JL **************New Deals on Dell Netbooks – Now starting at $299 (A HREF=http://pr.atwola.com/promoclk/100126575x1219939010x1201342897/aol?redir=http:%2F %2Fad.doubleclick.net%2Fclk%3B213771626%3B35379597%3Bw) ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html