In a message dated 9/29/2014 3:28:38 A.M. Eastern Daylight Time, donalmcevoyuk@xxxxxxxxxxx quotes: "This seems to reject analyticity with regard to 'get you'." and comments: "It seems to me "analyticity" is beside the point: W's main point is that sense can only be shown not said. It might be added (though it is implicit in the claim that a "meta-rule would also fail to say its own sense"), that while W of course accepts we often 'use words to explain the meaning of other words' his view is that we are using words to show the sense and that the words will not say the sense. This idea, that fundamentally words only show their meaning (usually via their use) and do not say it [and hence can only show the meaning of other words and do not say that meaning], does not involve "analyticity" in traditional terms: if you give someone who has no acquaintance with number-systems a proposition like "2 + 2 = 4" you cannot convey its meaning through "analyticity" but only by showing its use (the explanation of its meaning in terms of "analyticity" is parasitic upon meaning that has been already shown as to the use of the terms involved). It is obvious that the sense of an expression like "Get you" cannot be conveyed by mere "analyticity"; and a dispute as to whether it is analytic (or not) is a philosophers' dispute that is parasitic on meaning that is already established without involving any philosophical notion of "analytic"." My bad. I was using 'analytic' in a rather obscure way used by SOME linguists, when they say that English is more analytic than it used to be (as opposed to 'synthetic'). I think I meant COMPOSITIONALTIY. A brief note on this use of 'analytic'. Latin is said to be very synthetic: in that the past perfect second person plural of a verb is usually just expressed by ONE word. Possibly in Anglo-Saxon times, this applied, too, since Latin and English share an Indo-Germanic base. But today, in English, you need an auxiliary, and the expression of the second person, 'ye' (say). Similarly, Latin used to be 'synthetic' in that the accusative case was expressed by just one word, but in the Romance languages, no accusative forms survive as such, and prepositions do the work once done by case. And so on. (It may be argued that THIS analytic-synthetic distinction is not a valid one, in that declension and conjugation -- the core of the synthetic system -- can be de-composed into analytic elements). So what I perhaps meant was COMPOSITIONALITY, as per the principle of COMPOSITIONALITY. I was never too much of an adherent of this principle, but, in Griceian parlance it seems to work as follows: There's expressions which are basic, like 'Abracadabra', or 'Fido'. Others are not so basic, like 'Fido barks'. Or "Fido has been barking all night'. Or, to use an Ulster turn of phrase 'They don't lick it up off the grass'. As opposed to 'grass', 'They don't lick it up off the grass' or 'Get you' seems complex and COMPOSED of more minor elements, to wit: respectively: 'they' + do + not + lick + it + up + off + the + grass. Grice notes that 'grass' is ambiguous: 'material out of which lawn is made' or 'marijuana'. He's example, the ambiguity, when "When I'll be helping the grass to grow, I shall have no time for reading". -- ("The utterer's meaning will differ whether we take 'grass' to mean 'marijuana' or not"). McEvoy was suggesting 'Get you' to be a contraction of "Look at you', and I think that this may be the key, and I suppose there is a source that can verify this. There is a /tch/ sound in "Look at you", when utterered fast /lukatcha/ and it may be that there is a false formation or deformation here, and that the 'lu-' got dropped (as in 'cherry'?) which gave: "tcha" which since it's meaningless, was converted, by reanalysis, onto: "get you". In any case, it may help to compare: "Look at you" from "See you". "See you" or "Seeya" seems to be short for "I'll be seeing you". In the "Look at you", the imperative form seems to indicate: "Look at yourself". -- to emphasise the 'you look at yourself', since you can see I am already looking at you. The idiom seems to equivocate on the fact that unless there is a mirror around, one will NOT look at oneself (one's nose, for example). --- In any case, this post then to trade on 'compositionality'. I say I have caveats, because it seems to me that meaning is GLOBAL, and it's what the utterer globally means that counts. But there is some sense to the idea that the meaning of a complex expression (such as "Get you", or "They don't lick it up off the grass') DEPENDS on the meaning of its constituents. It would be up to the Wittgensteinian to see how we can deal with the principle of compositionality which the "show, don't tell" adage seems to be undermining. Witters would possibly rely on OSENSION (which was coined by Augustine of Hippo?). But while it is easy to provide an ostension of 'grass', and 'lick', and 'they', and 'up', it seems more difficult to provide, by ostension, the meaning of 'it' and 'off', and 'the'. If 'Get you' is short and re-analysis from "Look at you", while it may easy to provide an ostension of 'look' and 'you', it seems more complicated to provide an ostension for 'at', and note that one phenomenon of English analyticity (as I was saying) relies on propositions (and phrasal verbs): look at you, look after you, look for you, and so on. They all seem to share some meaning of 'look', and the meaning of the more complex expression does not just depend on 'look' and 'you', which can be shown ostensively, but on the meaning of the contribution made by the preposition. While prepositions surely all started having a 'physical' or 'spatial' meaning, ostension may still be a bother. Not to mention when the preposition has sort of disappeared from the surface form, as in "Get you", or there is no preposition involved, but the meaning of 'you' as some sort of object to the action of 'getting' seems to be operating here. And so on. Cheers, Speranza ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html