[lit-ideas] Re: All you need is love
- From: "Mike Geary" <atlas@xxxxxxxxxxxxx>
- To: <lit-ideas@xxxxxxxxxxxxx>
- Date: Mon, 14 Jan 2008 19:18:07 -0600
All you need is loveFunny and entertaining, Lawrence, but not a short story --
the beginnings of a play -- think "Who's Afraid Of Virginia Woolf" starring
Woody Allen and Katherine Hepburn. Go for it, guy.
Mike Geary
Memphis
----- Original Message -----
From: Lawrence Helm
To: Lit-Ideas
Sent: Monday, January 14, 2008 1:04 PM
Subject: [lit-ideas] All you need is love
A Monday Short Story:
All you need is love
"Sally Ann, do you have any idea how much I love you? . . . Sally? . . .
could you put that book down and listen? . . . the apple too?"
"Must I, Sidney," she said without putting anything down? In fact, one of
her eyebrows went up.
"Come on Sal. This is important. I want your undivided attention."
"Before I give that to you, I'd like some assurance you are going to be more
explicit than the last time we had this phenomenon."
Sidney threw up his hands in exasperation.
"Don't do that, Sidney. I'm not a dumb blond."
"I never thought you were - far, far from it as everyone knows."
"Then don't do that. I'm not a bimbo either."
"Good grief, Sal. What would put such an idea in your mind? It was never in
mine. I came home full of love for my gorgeous wife and you are breaking the
spell. If I weren't so excited and full of explanation, I wouldn't be able to
go on."
"Are you fuller than the last time, because last time you were more drunk
than explanatory?"
"I've only had two little drinks, and I'm far below .08% which is the legal
driving limit. If I'm good enough to drive, I'm good enough to tell my wife I
love her."
"Very well. I'm listening," Sally said, going back to her book.
"What happened to the hot and fiery Sally Ann I married six years ago?"
"I don't know. Is she the one you are going to express your love to or is it
this one here with the book in her lap," she asked, smiling up at him around
the apple she held in her teeth?
Sidney shook his head and walked over to the liquor cabinet. "I'm going to
have a scotch and water. Do you want something?"
"Maybe. What wine goes with apple?"
"Oh I don't know. Madeira or Port ought to go pretty well, or maybe one of
your Greek wines -- Retsina maybe."
"Okay, bring me a glass of Retsina."
"We don't have any."
"Well, why offer it to me?"
"I didn't. You asked what wine went with apple, and I don't really know. We
don't have any Port or Madeira either. We've got some Sherry. Do you want
some of that?"
"Oh Sidney! Just let me eat my apple and read my book. I don't want
anything to drink."
"Nor to hear how much I love you, I take it."
"Sidney, Sidney," she said, turning a page. "You don't know how much you
love me."
"Of course I do."
"Then why did you ask me?"
"That question was rhetorical as you know perfectly well," he said testily.
"Is that a bit of anger I hear, dear Sidney," she asked turning toward him
with eyes wide in mock horror?
"Disappointment, Sally Ann - that your mood doesn't match mine."
"What do you expect? It's two, going on three scotch and waters shy."
"The scotch has nothing to do with my moods as you well know."
"Oh, I know, Sidney. Calm down. But your depressive moods seem a little
easier to handle than your manic ones."
"Come on, Sally. Be nice. I'm not manic-depressive and you know it. I'm
just a devoted husband who loves his wife."
"His bimbo wife."
"Not true."
"His trophy wife?"
"I might agree to that."
"Well there you go then. One does not love a trophy. One possesses it. You
win it and put it on the mantle or hang it on the wall. See there, you say to
your friend. That was my last duchess, and then you go on to tell him how you
had her killed."
"That's not an example I would use. I prefer "How shall I love thee, let me
count the ways . . ."
"I'll bet that's all you know. You don't know a single way that she loved
her husband, do you? If you had to write that poem you would write 'do you
know how many ways I love thee' and hope I came up with a few."
"You are being exasperating, Sally Ann."
"Okay that's one. Keep going."
Sidney shook his head and then brightened. "Is Jimmy asleep?"
"Okay, that's another."
"What do you mean?"
"Your asking if our son is asleep implies rather obviously that you love me
in bed. That's another. Keep going."
Sidney shook his head again. "You know there was a time I could have had my
pick of bimbos. Why did I have to pick one with brains?"
"Ah. That's bad: a step backward. Two steps forward and one step back. I
think Lenin wrote a pamphlet with that title."
"Maybe I'll go see if there's a ball game or a boxing match on. This
conversation isn't at all going the way I wanted it to."
"Maybe I was the one who married a bimbo, Sid. You are awfully cute,
especially when you're mad: that neat little blond haircut suits you really
well. And I love that little mustache of yours, and that crinkly eyes smile
you do when you are smiling, which doesn't happen to be now. And those dreamy
eyelashes. . . ."
"Are you counting the ways?"
"Why not? You seem to have run down. In fact you are going backwards. I
thought I might as well start on a list of my own . . . which by the way is
longer than yours."
"But you don't want to go to bed now?"
"I never said that. You did."
"No, I didn't."
"Who just announced he was going into the other room to watch a boxing match
- or some other mindless male sports drivel?"
"Only because you weren't in the mood."
"In the mood to count ways? Sure I am."
"In the mood to go to bed."
"Ah. Now it comes out. That 'do you know how much I love you' was baloney -
a pretense - a primitive excuse for foreplay - in short, a lie."
"It wasn't a lie."
"Oh no? Let's roll this conversation back to the beginning then. You have
just walked in. Your face is all ruddy from two scotch and waters and you
produce your momentous cliche, 'do you know how much I love you'? You ask me
that despite my well-known hatred of cliches, but let's skip past that and
whatever I actually did say and start over. I bat my eyelashes at you
fetchingly and say, 'no, Sidney. How much do you love me? And you say . . .
that's your Que, Sid. You say . . . ."
"I say you are sounding a bit like Elizabeth Taylor at the moment."
"Good. Then here's your chance to sound like Richard Burton."
"Did they end up in bed in that movie?"
"I don't think so."
"Then I'll pass."
"Would you rather be witty and clever or make love?"
"Make love."
"Philistine!"
"Philistines need loving too."
"Not Philistines who use cliches."
"Everyone uses cliches."
"Not when trying to tell your trophy wife how much you like seeing her
hanging on the wall."
"I never meant you were merely a trophy wife. You require far more attention
than an ordinary trophy wife would."
"Ouch. Another step backward. Unless I've missed count that's two steps
forward and four steps back. Next time you're in such a loving mood, you might
consider staying late for work, or perhaps having two less scotch and waters."
"I only had two."
"Enough said."
Sidney threw his head back and sighed. Then he leaned forward and asked,
"how was your day at the University."
"Not good. No one is interested in the classics anymore. They don't know
the difference between Salamis and Salami, Boeotia and baloney. They think
it's all baloney."
"Ah ha. You had a bad day."
"Of course I had a bad day. Any normally sensitive husband could have sensed
that rather than rattling on out of his scotch and waters. Every day is a bad
day if your trying to interest modern air-heads in something that happened
prior to Elvis. They are interested in the latest music and the latest
clothes. The only people they care about are singers, actresses and actors.
No one would have signed up for my class if they didn't think I was hot."
"Greeks loved beauty."
"That's a fallacy my dear Sidney."
"How so?"
"The Greeks loved beauty. My air-heads loved beauty. Therefore my air-heads
are in someway like the Greeks. They aren't."
"Come on, Sally. The Greeks weren't like the Greeks."
"She gave him a withering look. "That statement is vacuous."
"Only a tiny percentage did anything worthwhile. The rest were farmers,
hoplites or pulled an oar on some trireme."
That argument won't wash Sid. Not everyone in the Elizabethan period was a
Shakespeare, but they flocked to the Globe to watch his plays. That is why we
call it a period. The same is true of Periclean Greece. Also, those Spartans
had something sadly missing in this modern age where no one believes in
anything."
"Spartans plural? Don't you mean a few like Leonidas?"
"No I don't. Leonidas wasn't by himself at Thermopylae. There were 299
others with him."
"297."
"What?"
"I Read that two of the 300 were sick so Leonidas made them stay in Sparta."
"So what, Sid," she said, raising her voice?
"Nothing. Nothing at all. You seemed to be in a mood for being accurate. I
thought you would appreciate the correction."
"Well I don't. It is what they did not whether there were exactly 300 or
not. Even when the Persians started killing them off they were referred to as
the 300. That was a magnificent time: from the Persian war all the way through
the Peloponnesian war and beyond. It wasn't until Alexander full of scotch and
water set about outdoing Philip that everything was ruined, well not totally
ruined. A lot was saved. We have quite a lot from that period and we can
learn from it. We ought to be willing to learn."
She got a beautifully sad expression on her face. Sidney couldn't resist
sitting down and putting his arm around her. She nestled her head in his
shoulder and cried. When she finally subsided, he whispered, "want to go to
bed?"
She bit his ear gently and whispered back, "I thought you'd never ask."
"Isn't that a cliche, dear," he asked?
She socked him on the shoulder -- but not too hard.
Lawrence Helm
San Jacinto
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