I worked backwards on this one. I often see a "stage" and then try to catch someone doing something on it. On this one I was out of the car as a freight passed at about 50mph, shooting passing graffiti.
That's when I noticed the shadow on a passing car. Shot a couple of frames. Realized they were pretty complex images, sighted down the train looking for the plainest car coming, and picked this one. So I picked the subject and then waited for the right "stage."
This was the fourth of four frames of the shadow. Thanks for looking. ric On Sep 9, 2008, at 8:28 PM, Geoff Hopkinson wrote:
especially your enigmatic crossing guard
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