[guide.chat] war letter written about the bombers
- From: vanessa <qwerty1234567a@xxxxxxxxx>
- To: "GUIDE CHAT" <guide.chat@xxxxxxxxxxxxx>
- Date: Wed, 16 Jan 2013 00:40:25 -0000
MUSIC OF THE NIGHT
In the late spring of 1940 Germany was winning the war and had occupied France,
poising to invade Britain. And my mother was dying.
She was moved to Leamington Spa. I was approaching my ninth birthday and was
sent to Corley Open Air School, on the outskirts of Coventry.
Boys and girls, some with pulmonary disorders, lived in this stark environment
set in beautiful wooded countryside on a hill overlooking Coventry.
The summer of 1940 was magnificent.
The Luftwaffe directed their attention to London as Coventrians worked in
comparative peace, although in June Ansty Aerodrome was raided and then in
August the new Rootes shadow factory was ringed by incendiaries and the empty
Rex Cinema in Corporation Street destroyed.
Then on September 9 I saw, in broad daylight, my first German airplane, a
Messerschmidt 110. We were told it had bombed a paint shop in Canley, so we
laughed at German stupidity.
Three decades later I read that a lone raider flew low between barrage-balloon
cables and bombed the Standard Motor Company. The target was the Hobson
carburettor shop, in which a modified carburettor was being developed for the
Spitfire fighter. Three bombs were released and all three just missed, hitting
the adjoining paint shop. The Luftwaffe was that accurate.
Hitler was flexing his muscles.
We didn't know at the time that the Germans, with the long length of Northern
Europe in their hands, could transmit radio signals that would guide aircraft
precisely to their target. We also didn't know that the Royal Air Force bombed
cities by hopefully flying along rivers, and that wasn't until the summer of
1940.
November 14, 1940 was just like any other day of that time of year, misty and
cold with low cloud threatening fog. As night fell there was a full moon, often
called a "bomber's moon," so I can imagine the self-congratulatory smiles on
German weather forecasters when their bombers and fighter escorts took off for
what the Luftwaffe had been preparing for some months, Operation "Moonlight
Sonata," the heaviest air raid yet. Coventry was the target.
The air-raid sirens wailed as mournfully eerie as usual and a teacher
efficiently marshalled us out through the verandah door and marched us in twos
along a footpath across a field to the air-raid shelter.
On the way I was impressed by the many searchlight beams pointing upwards and
probing the night sky, comforted by the presence of a searchlight emplacement
located in the field next to the boys' dormitory wing. This was particularly
intense, floodlighting the surroundings, including us. All that should throw
some light on enemy aircraft for the ack-ack guns I thought.
Deep underground I felt totally secure, and despite the dank smell and the
chilly night air I felt warm in my pyjamas and blanket. We were getting used to
air raids and so far we had escaped unscathed. Of course, we didn't know what
the Luftwaffe had lined up that night of November 14, 1940.
As the German bombers avoided the fighter attacks from the south of England,
the gunfire and the drone returned, but this time there was more of a
persistent, heavier aircraft presence. "Moonlight Sonata" wasn't exactly what
Beethoven had in mind. It was a cacophony that went on interminably, the
aircraft providing the rhythm section, mrrm-mrrm-mrrm, their carburettors
cutting to save precious fuel, then the piercing whistles, specifically
designed to induce alarm, and the deafening explosions of bombs, the soloists
of evil, producing a crescendic symphony of terror that made me feel more and
more perturbed and paranoid as it continued.
I had drawn the Heinkel 111 enough times from profiles in aircraft recognition
books. It was very similar to Britain's Blenheim bomber, but in my childish
imagination I saw it as a black, reptilian creature with crewmen smirking
devilishly as they flew remorselessly inflicting their venomous loads on
innocent people below. I didn't even consider that the aircrew could be
frightened, too. But they frightened me.
The other kids were also distressed. I remember seeing a girl with red,
lachrymose eyes and tears rolling down her white face, no doubt feeling for
relatives. And then the view of the night of mayhem, after the All Clear
sounded and we trooped back to the dormitory.
I looked around me and was awestruck by the warmth and redness in the smoky
surroundings. I stared toward Coventry for several minutes, flames were visibly
rising to the sky and explosions bursting well after the Luftwaffe had gone.
Added to the red glow were the moonlight and the puffs of gunsmoke making a
surreal tapestry of the night sky. The strains of this Moonlight Sonata didn't
soothe Coventrians that night.
My heart was saddened, yet I felt excited. It was a wonderful experience, and
the teacher came round with trays of hot cocoa and cookies to ensure a good
night's sleep. I stared even longer at the sight of my beloved city burning
like a huge, bubbling crimson cauldron, thinking of my family and pals - even
pets - and if they had survived. Yet it was an incredible adventure, an
extravaganza of more than grandiose proportions.
Smaller air raids continued. We weren't even woken up to go down the shelter.
It is easy to be complacent when the Luftwaffe is bombing elsewhere. However
they flew over us and it is conceivable that pilots observed the searchlight
batteries and marked them as military objectives. They must have noticed the
one in the next field to Corley Open Air School it would seem, because a stick
of bombs was released over it. The whistles were intense and nerve racking. As
one, the boys leapt under their beds. The whistling became menacingly,
frighteningly, terrifyingly louder until BOOM! BOOM! BOOM! BOOM! BOOM! BOOM!
The racket was deafening. A pause. Then the teacher's voice broke the stillness
again: "Under your beds!" I looked toward the corner roof. Through a gaping
hole I could see the stars, and puffs of gunsmoke. But no glare from the
searchlight battery. It had been destroyed.
The following day we went out to look at the damage. We were naturally not
allowed to see the wrecked searchlight installation. The corner of the
verandah, wall and roof nearest the field was in tatters. There was no broken
glass because there was none to break. Following a brief covering of tarpaulin
the damage was expeditiously repaired. And I added considerably to my
collection of shrapnel, twisted remains of exploded bombs, to go with my model
airplanes and regimental badges.
My mother was gravely ill. I was given some leave from Corley to visit her in
Leamington.
She lay in bed and visibly brightened when I entered the room. I assured her I
was going to supply her with sweetbread, something she had taught me to fry on
her electric stove.
Our street in Coventry was in shambles, the only thing appearing intact was the
bomb shelter. My pal took me on a walking tour of our locale and we looked with
awe at Crampers Field which, he told me, had been covered with sacks containing
bodies. The Rialto Cinema was in ruins, as a result of a land mine (an aerial
bomb delivered to its target by parachute.) The interior of the theatre was
levelled and revealed a huge crater. The movie showing was still advertised:
"Dr. Cyclops."
Another land-mine recipient was the Coventry Rugby Club where a huge crater
almost stretched from touchline to touchline, seemingly as deep as it was wide.
The bank on the corner of Barkers Butts Lane and Moseley Avenue was another
victim of a direct hit: It wasn't there any more.
There was so much rubble of ruined homes, yet still containing furniture (some
sliced like a rough cutaway model to reveal dangling toilets, to our amusement.)
My sister took me downtown to Broadgate. The city centre was the obvious target
and was quite destroyed. The new department store, Owen Owen, was gutted as a
result of direct hits from high-explosive and incendiary bombs. The cathedral
was ravaged like the Rialto Cinema, with its interior gutted and surrounding
walls and spire remaining. The Holy Trinity church next to it was heavily
damaged. Coventry was a city in deep distress and mourning.
My mother passed away on March 15.
Weeks went by to the next agony, the second Coventry blitz. This time on April
8, 1941, the Luftwaffe using every available aircraft possible, concentrated on
Birmingham, then at midnight, turned to Coventry again, to inflict damage on
the war-production industry. The Daimler car company was wrecked, Courtauld's,
Armstrong-Siddeley and the GEC were severely damaged, among many others.
We were dutifully marshalled by the teacher for another blitz experience, and
marched to the shelter. We soon realised that it was another biggie as the
night erupted into frantic gunfire, exploding bombs and a quivering air-raid
shelter. Again we were treated to the oxymoron of joyful horror as we trooped
back to the dormitory, eyes wide open gazing at the sky above us and over
toward Coventry, the puffs of smoke hanging in another moonlit-blue sky. We had
survived, but what of the family? Hot cocoa and cookies to transform mayhem
into a picnic. Shortly afterward I returned to Coventry to live with my sister
who became my legal guardian.
Perhaps my most meaningful recollection is of a banner hung on the facade of
Holy Trinity, proclaiming "STAND FAST UNTO THE FAITH. QUIT YE LIKE MEN. BE
STRONG." My erudite guardian sister reassured me that "quit" was a biblical
expression meaning "acquit." Overall, to us boys the blitzes were sheer
excitement.
Submitted by Brian Pugh (now U.S.A.)
from
Vanessa The Google Girl.
my skype name is rainbowstar123
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