[goodfeel] Re: Question about .xml imports
- From: "Drapa Konchok Jungney / Patrick Walsh" <feofil@xxxxxxxxxxxxxxx>
- To: <goodfeel@xxxxxxxxxxxxx>
- Date: Wed, 30 Jan 2013 15:55:19 -0500
Jacqueline Du Pre is rolling over in her grave, from laughing too hard.
From: goodfeel-bounce@xxxxxxxxxxxxx [mailto:goodfeel-bounce@xxxxxxxxxxxxx]
On Behalf Of Data
Sent: Wednesday, January 30, 2013 3:24 PM
To: goodfeel@xxxxxxxxxxxxx
Subject: [goodfeel] Re: Question about .xml imports
What about "molto schmaltzando"?
-Andy
-----Original Message-----
From: goodfeel-bounce@xxxxxxxxxxxxx [mailto:goodfeel-bounce@xxxxxxxxxxxxx]On
Behalf Of albertm13@xxxxxxxx
Sent: Wednesday, January 30, 2013 12:20 PM
To: goodfeel@xxxxxxxxxxxxx
Subject: [goodfeel] Re: Question about .xml imports
Hi,
No one knows what murmurando or strepitoso mean so it doesn't matter - just
kidding. We actually have fixed quite a few MusicXML problems in Lime but
we need to do some significant work on GOODFEEL before we can release it.
We are about to start concentrating on getting GOODFEEL ready for a release
so hopefully we'll have an estimate of a release in a few months.
Thanks,
Albert
---------- Original Message ----------
From: Dalia Sakas <daliams88@xxxxxxx>
To: goodfeel@xxxxxxxxxxxxx
Subject: [goodfeel] Question about .xml imports
Date: Wed, 30 Jan 2013 13:41:29 -0500
We used to use Finale as only our source for large print. We now use it as
the source file for most of our projects because of the .xml capability.
For most projects this is fine. We are now finding with more complicated
music that a lot is being lost and much editing in Lime needs to be done.
Here are the biggest things missing:
1. Annotations for style ( eg. murmurando, strepitoso)
2. When a phrase starts on a beat other than beat one, the dynamic marking
still gets attached to beat one.
3. When the music is entered into Finale and there are several layers
(voices). This is not being transferred and we get a metrical nightmare.
Any information or enlightenment on these problems would be appreciated.
Dalia Sakas
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