[fingertipsmusic] This Week's Finds: Jan. 21-27

From: "Jeremy Schlosberg" <fingertipsmusic@xxxxxxxxx>
To: fingertipsmusic@xxxxxxxxxxxxx
Date: Mon, 22 Jan 2007 17:15:21 -0500
*This is the last week you can enter the current Fingertips contest, the
prize this time being a 12-inch vinyl copy of Be Your Own Pet's debut album
(Be Your Own Pet). Turntable not included. Deadline is January 25; all the
details are here <http://www.fingertipsmusic.com/contests.htm>. And have you
heard about the Prize Closet blowout? Gifts for cheap! See below the songs
for more info.*


THIS WEEK'S FINDS <http://www.fingertipsmusic.com/this_weeks_finds.htm>
week of Jan. 21-27


"Down in the Valley" - the Broken
West<http://www.toolshed.biz/asset/resource/5924/03_Down_in_the_Valley.mp3>
Big Star meets Wilco; irresistibility ensues. With its muscular tom-tom
beat, feedbacky guitar, sloppy-tight harmonies, and organ solo, "Down in the
Valley" walks that great great line between power pop and garage rock--a
line walkable only by bands that really know what they're doing. As a matter
of fact, although the year is young, I think I'm going to be hard-pressed to
find in 2007 another chorus as infectious as this one. Two things in
particular make it work so well. First, the set-up: after the verse
(starting at 0:38) we get a two-line lead-in before the chorus, and the
chords that finally usher us in are both perfect (a classic series of
resolving steps) and imperfect (they're hardly actually there; rather they
are largely implied). This is why, I think, we're left in such a delicious
state of anticipation at 0:46, waiting for the chorus to give us the
resolution we crave. (It does.) Second, the harmonies, and specifically the
harmony in the seoncd line of the chorus, where the melody repeats but the
vocal harmonies, has shifted. What I'm talking about: compare the sound of
the harmonies on the word "sundown" (0:50-51) (the voices are singing the
same note) to the harmonies on the words "no one" (0:57-59)--here the
backing vocal splits off, going up a whole step while the melody goes down a
third and we get that mysterious fourth interval for a note and there, that
does it for me. Perhaps for you too, now that I mention it? The Broken West
is a young quintet from Los Angeles who sound as broken in and familiar as
an old pair of slippers. "Down in the Valley" is from the band's disarmingly
titled debut CD, *I Can't Go On, I'll Go On*, to be released tomorrow on the
excellent Merge <http://www.mergerecords.com/> label.

"Carouselle" - Nicole
Atkins<http://www.redmusic.com/nicoleatkins/carouselle.mp3>
Attentive Fingertips visitors may remember Atkins from the delightful "
Skywriters <http:///>," a song from her self-released debut CD that spent a
few months on the Fingertips Top 10 late in '05. Shortly thereafter, she was
snapped up by none other than Columbia Records, which will release her next
full-length CD this spring. In the meantime, an EP quietly emerged at the
tail end of '06 called *Bleeding Diamonds*, and from it, "Carouselle": a
charming amalgam of Kurt Weill and, oh, maybe Jenny Lewis? (Aha: an
appropriate confluence, given Weill's obsession with the name Jenny!)
Alternating between a minor key, cabaret-ish piano vamp in the verse and a
sweet, swinging Brill Building-y chorus, the song offers a bittersweet,
idiosyncratic, smartly-crafted tribute to a demolished seaside amusement
park ride. Atkins so sneakily blends typically discrete musical styles that
you have to pay close attention to realize she's up to something unusual.
While you're paying close attention, I urge you to listen as well to the
depth of character in her voice; if you don't concentrate, she may sound
simply like another breezy-voiced flavor of the month, but no no no, she's a
keeper, with that rich, unexpected, and beautifully controlled vibrato and a
simmering sense of passion kept just below the surface. I dare you to listen
to how she sings the word "fantastic" (1:34) and not find your heart
skipping a beat; or maybe you'll just fall in love on the spot, as perhaps I
have. The eagerly-awaited Columbia full-length does not yet have a release
date.

"To Live and Die in the Airport Lounge" - My Teenage
Stride<http://www.teamclermont.com/mp3/myteenagestride_airportlounge.mp3>
Buoyed by the same brand of upbeat moodiness that characterized many an old
Smiths song, "To Live and Die in the Airport Lounge" is a sparkly bit of
catchy but inscrutable guitar pop from the Brooklyn-based one-time
one-man-band My Teenage Stride. Jedediah Smith is the
singer/songwriter/multi-instrumentalist who launched the band, by himself, a
few years ago; for a good part of the new CD, however, he assembled a stable
foursome, and will perform live with them now as well. While I cannot
personally vouch for the claim that Smith is "a living compendium of
virtually every pop style that has existed from 1956 through the present,"
as per his PR material, who am I to argue? He's apparently written more than
500 songs in his still-young life, and I've only heard four of them. I will
say that Smith's music does exude an easy-going expertise; check out how
nicely he blends the two (maybe three?) guitar sounds that drive the piece,
and check out too his dexterous vocal layering--I really like how his
extensive use of same-note harmony vocals serves to render all the more
glowing the harmonies that subsequently differentiate. "To Live and Die in
the Airport Lounge" is a song off *Ears Like Golden Bats*, the new My
Teenage Stride CD, slated for a February release on London-based Becalmed
Records <http://www.becalmedrecords.com/>.



*Hey ho: the Prize Closet is having a midwinter blowout: contribution gifts
are now available for $9 and $12, including the well-regarded,
limited-edition, still-available Fingertips: Unwebbed CD. Check it
out!<file://localhost/Users/Jeremy/Documents/Music/prizecloset.htm>
*
[fingertipsmusic] This Week's Finds: Jan. 21-27

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