[dance-tech] Participations

From: KAREN WOOD <karenwood30@xxxxxxxxxxxxxxx>
To: MEDIA-ARTS-AND-DANCE@xxxxxxxxxxxxxx, dance-tech@xxxxxxxxxxxxx
Date: Wed, 5 Jan 2011 15:41:37 +0000 (GMT)




-


APOLOGIES FOR CROSS-POSTINGS
>
>
>Special Edition of Participations: Screen Dance Audiences.
>We are pleased to announce a new special issue of Participations, the Journal 
>of 
>Audience and Reception Studies. This special edition includes articles from a 
>variety of perspectives and methodological approaches discussing how audiences 
>watch and engage with dance on screen; does screen dance, a form often 
>articulated in terms of hybridity also promote new, hybrid forms of 
>spectatorship?
> Edited by Matthew Reason and Dee Reynolds, the special issue includes the 
>following contents:
>Reason, Matthew & Dee Reynolds (Guest Editors - Special Edition): 
>'Special Issue Introduction'
>Bench, Harmony: 
>'Screendance 2.0: Social Dance-Media'
>David, Ann: 
>'Dancing the diasporic dream?  Embodied desires and the changing audiences for 
>Bollywood film dance'
>Pearlman, Karen: 
>'If a dancing figure falls in the forest and nobody sees her...'
>Reason, Matthew: 
>'Thinking about Audiences: a dance film-maker's perspective.  An interview 
>with 
>Alex Reuben'
>Wood, Karen: 
>'An investigation into audiences' televisual experience of Strictly Come 
>Dancing'
> You can find the special edition here or visit www.participations.org.
> 
> 
>
>


-- 
Dee Reynolds 

Dee.Reynolds@xxxxxxxxxxxxxxxx

http://www.watchingdance.org/
http://watchingdance.ning.com/


School of Languages, Linguistics and Cultures 
University of Manchester 
M13 9PL 
UK
tel: +44(0)161 275 3212begin_of_the_skype_highlighting            +44(0)161 275 
3212      end_of_the_skype_highlighting

[dance-tech] Participations

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