[sib-access] Re: fingers pedaling

A fermata over a chord would sustain the chord and hold the beats for an 
indefinite period of time. I think Nili is looking for a way to show an 
arpeggiated set of notes, with each successive note being added to a growing 
set of notes, to end up with a total chord.

If that's the case, I would just put a long tie over the whole set of notes.

But not sure that's the correct construct. Let's see if we can liaise with 
Dan.

Dave

----- Original Message ----- 
From: "Annabelle Susan Morison" <foristnights@xxxxxxxxxxx>
To: <sib-access@xxxxxxxxxxxxx>
Sent: Tuesday, January 12, 2010 07:45
Subject: [sib-access] Re: fingers pedaling


Is it something like a fermata that your looking for?

-----Original Message-----
From: sib-access-bounce@xxxxxxxxxxxxx
[mailto:sib-access-bounce@xxxxxxxxxxxxx] On Behalf Of Nili
Sent: Tuesday, January 12, 2010 7:43 AM
To: sib-access@xxxxxxxxxxxxx
Subject: [sib-access] Re: fingers pedaling

Hi, Dave and thanks,
I ask about A way to indicate a sustain which should be done just by holding
the keys for long. Say you have a score with 4 voices and some different
instances of ties. I'd like all the voices to be heard and all the notes to
be held together and I would mention to the player that he should keep on
holding every nec key and sustain the notes, but not to press the foot
pedal.
How do I do that in Sib?
----- Original Message -----
From: "Dave Carlson" <dgcarlson@xxxxxxxxxxxxx>
To: <sib-access@xxxxxxxxxxxxx>
Sent: Tuesday, January 12, 2010 4:02 PM
Subject: [sib-access] Re: fingers pedaling


> Nili,
>
> Sounds like a slur is what you need. Or else I don't understand what
> you're asking.
>
> Dave
>
> ----- Original Message -----
> From: "Nili" <nilizz@xxxxxxxxxxxxxxxx>
> To: <sib-access@xxxxxxxxxxxxx>
> Sent: Tuesday, January 12, 2010 04:02
> Subject: [sib-access] fingers pedaling
>
>
> Hi all,
> I'm writing a piano piece and got to the conclusion that instead of
> tiring myself and the reader with lots of voices and ties I'd write
> and specify fingers pedaling. How do I do that?
> I mean an instruction which tells the player to make his pedaling with
> the fingers only and without using the real sustain pedal. That is
> because I still want a contrapunctal effect where the notes are still
> clear and don't mess with each other.
> In the specific case, it's a passage with descending and equally
> rhythmically broken 7th diatonic chords and I want every dissonance to
> stay as A suspended note, till resolving.
> Sorry for the tiring description,
> Thanks
> Nili
>
>
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