[rollei_list] Re: rollei_list Digest V9 #70

  • From: Steve Dunn <bicycle551@xxxxxxxxxxx>
  • To: rollei list <rollei_list@xxxxxxxxxxxxx>
  • Date: Thu, 2 May 2013 12:59:20 +0000 (UTC)

Yes, both in 220. However, that is the total offering available. Both available 
in 5 pack boxes. 

http://www.bhphotovideo.com/c/search?atclk=Format_220&ci=2545&N=4294548524+35+4130468173
 

No other brands. No b+w. 


Best, 

Steve 

----- Original Message -----
From: "FreeLists Mailing List Manager" <ecartis@xxxxxxxxxxxxx> 
To: "rollei_list digest users" <ecartis@xxxxxxxxxxxxx> 
Sent: Thursday, May 2, 2013 1:12:43 AM 
Subject: rollei_list Digest V9 #70 

rollei_list Digest Wed, 01 May 2013 Volume: 09 Issue: 070 

In This Issue: 
[rollei_list] bad news for film... 
[rollei_list] Paris-bound with my Art Deco Rolleicord 
[rollei_list] Is 220 film available again? 
[rollei_list] Re: Paris-bound with my Art Deco Rolleicord 

---------------------------------------------------------------------- 

From: Jan Decher <jdecher@xxxxxxx> 
Subject: [rollei_list] bad news for film... 
Date: Wed, 1 May 2013 10:16:41 +0200 

Carlos et al. 
Really bad news indeed. Definitely still want to get a chrome 1.5/50 Sonnar, 
before they discontinue that too... 
Happy 1st of May to all. 
Jan 


On May 1, 2013, at 7:12 AM, FreeLists Mailing List Manager wrote: 
> The excellent Zeiss Ikon rangefinder camera is gone too: 
> http://petapixel.com/2012/12/09/end-of-the-road-zeiss-ikon-rangefinders-to-be-shuttered/
>  
> Carlos 
> 


------------------------------ 

Subject: [rollei_list] Paris-bound with my Art Deco Rolleicord 
From: Sanders McNew <sanders@xxxxxxxxx> 
Date: Wed, 1 May 2013 22:48:22 -0400 

So, Melanie and I are heading to Paris May 13-20. If you too happen to be in 
Paris that week, you will be able to identify me by my Art Deco Rolleicord: 

http://www.flickr.com/photos/sandersnyc/8696591043/in/photostream 

Paul Ebel was kind enough to put this camera back into service for me -- it 
needed a new mirror and a Maxwell screen, and lots of swearing and lubrication. 
Even so, the focus lacks the smooth movement of a modern Rolleiflex -- Paul 
reports that the build quality of early Rolleicords doesn't match up to the 
postwar cameras. If any of you on the list have any experience shooting this 
camera, I would love to hear your thoughts. My first roll of film taught me 
that (1) the Triotar doesn't much like strong light sources, and (2) there is 
no stop when you advance the film to the next frame. What else do I need to 
know? 

Sanders McNew 
www.flickr.com/sandersnyc 
------------------------------ 

Date: Wed, 01 May 2013 22:56:28 -0400 
From: Marc James Small <marcsmall@xxxxxxxxxxx> 
Subject: [rollei_list] Is 220 film available again? 

I got the current B&H print catalogue today and 
noted that they are listing Kodak Portra 160 and 
400 in 220. Can this be for real? I thought 
that 220 had been dead these many years. 

Marc 


msmall@xxxxxxxxxxxx 
Cha robh b�s fir gun ghr�s fir! 


------------------------------ 

Date: Wed, 1 May 2013 22:11:31 -0700 (PDT) 
From: John Jensen <jwjensen356@xxxxxxxxxxxxx> 
Subject: [rollei_list] Re: Paris-bound with my Art Deco Rolleicord 

Be prepared for stupid comments as "Hey, cool digital." 
--- On Wed, 5/1/13, Sanders McNew <sanders@xxxxxxxxx> wrote: 

From: Sanders McNew <sanders@xxxxxxxxx> 
Subject: [rollei_list] Paris-bound with my Art Deco Rolleicord 
To: rollei_list@xxxxxxxxxxxxx 
Date: Wednesday, May 1, 2013, 7:48 PM 

So, Melanie and I are heading to Paris May 13-20.� If you too happen to be in 
Paris that week, you will be able to identify me by my Art Deco Rolleicord: 

http://www.flickr.com/photos/sandersnyc/8696591043/in/photostream 

Paul Ebel was kind enough to put this camera back into service for me -- it 
needed a new mirror and a Maxwell screen, and lots of swearing and 
lubrication.� Even so, the focus lacks the smooth movement of a modern 
Rolleiflex -- Paul reports that the build quality of early Rolleicords doesn't 
match up to the postwar cameras.� If any of you on the list have any experience 
shooting this camera, I would love to hear your thoughts.� My first roll of 
film taught me that (1) the Triotar doesn't much like strong light sources, and 
(2) there is no stop when you advance the film to the next frame.� What else do 
I need to know? 

Sanders McNew 
www.flickr.com/sandersnyc--- 
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------------------------------ 

End of rollei_list Digest V9 #70 
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  • » [rollei_list] Re: rollei_list Digest V9 #70 - Steve Dunn