Regarding all the fuss about Leicas, let me say a few things. I like Leica lenses because the images they render have a three-dimensonality to them. This is not to say that lenses of other manufactureres are bad. I simply prefer the negatives the Leica renders. I sometimes think that Leica has a different aesthetic (than lets say Canon or Nikon)that guides it, but in thinking this, I feel I am on thin ice and I'd welcome any discussion any of you might have on this point. I also like the Leica M for its quiet shutter. This is particularly nice when you don't want to draw attention to yourself with the slap of the mirror of a SLR. It can mean that you can take photos in a church during a service without disrupting the ceremony with the sound of your camera. I also like being able to work without having to depend on a battery to operate the camera. This is also a reason I like the Rollei TLR and because of the quality I get from its lenses, too. These are some of the reasons I like my Leica M. They are only opinions, my opinions. I recognize and respect that others may feel differently. Best to all of you--Doug Nygren ---------- Original Message ---------------------------------- From: Marc James Small <msmall@xxxxxxxxxxxxxx> Reply-To: rollei_list@xxxxxxxxxxxxx Date: Wed, 30 Mar 2005 18:20:31 -0500 >At 12:51 AM 3/31/05 +0200, Fred Fichter wrote: > >>Here is my question : why all this fuss regarding leicas ? Because it=20 >>produces better pictures ? Then please, show me examples of pictures=20 >>that one cannot make with any SLR and a good fast lens... > >That really is not the proper question, Fred. More properly, the question >should be about the immense utility of a rangefinder camera over the >weak-sister abilities of an SLR, the wide-ranging capacity of the Leica >system (my M6, for instance, can use Leitz accessories made in 1937 without >a problem), and the capability of the camera: the Leica camera is reliable >to a point which Nikon deliberately chose not to match and its lack of >shutter noise allows great pictures to be shot in really low-light= > conditions. > >Leica lenses are great lenses but they have only recently come to be at the >cutting edge. (The recent 1.4/ and 2/35 lenses, the recent 1.4/50 >Summicron, the somewhat older 1.4/75 Summilux, the recent 2/90 Summicron >and the 135 APO ASPH Televid all are now industry standards, whle the wider >lenses (I yawn in boredom!) seem to be at the front rank as well.) But, >over the years, Leitz rarely produced world-standard lenses despite their >hype: only the Summitar and early Summicron really deserve proper respect >but this started changing with the NR Summicron, the 2/9cm Summicron, and >the epic pace-setter of the 1.4/35 Summilux, all in the late 1950's and >into the early 1960's, followed by the 1963 second version of the Summilux, >a lens as good as Bertele's 1931 1.5/5cm CZJ Sonnar. But, to that point, >the Leica history was based on the production of a grand and most utile >camera coupled with decent lenses. Only in the recent years has Leica >REALLY pushed the limits on lens quality. > >Marc > >msmall@xxxxxxxxxxxx=20 >Cha robh b=E0s fir gun ghr=E0s fir! > > > > ________________________________________________________________