DEAR RICHARD, Thanks for posting that. I had the pleasure of hearing Dr. James lecture on this topic after we read about it in his book. I recall that we found it entertaining that, after all of the high level photo chem we had to learn, that sea water would to a very good job washing prints and film if followed by a fresh water wash. ***Perhaps the pain killers are making me inept but I can't seem to find the SMPTE journal on the site you recommended. It is an amazing site & I would love to download some of the journals but my search on the site does not lead me to them. On Sun, Aug 3, 2014 at 2:25 AM, Richard Knoppow <1oldlens1@xxxxxxxxxxxxx> wrote: > First of all, I have discovered (probably lots of you knew already) > that a fairly complete collection of the Journal of the Society of Motion > Picture Engineers (later the Society of Motion Picture and Television > Engineers) and also many of the earlier "Transactions of the SMPE" are > available at http://www.archive.org These are free downloads. This > site has a treasure of other stuff on it including old radio programs and > many technical journals. > I made an interesting discovery while re-reading a paper on sea water > washing > "Sea Water Washing" Eaton and Crabtree (of Kodak Research Labs) JSMPE > V.VXL, June 1943 p.380 et seq. The research was done because of the > limitations of availability of fresh water at many military installations > such as ships at sea that nonetheless had to process film and prints. In > this research Eaton and Crabtree discovered that sea water washing was > considerably more efficient than fresh water washing and the results > permanent providing the sea water wash was followed by a short fresh water > wash. It was this research that inspired the later research that resulted > in the development of Kodak Hypo Clearing Agent and the discovery that > sulfites were even more effective that sea water in accelerating washing. > It was later discovered by T.H.James, also of Kodak Research Labs, that > excessive washing resulted in a loss of image stability. This was such > heresy that James was reluctant to publish his results until similar > research was published by a researcher at Fuji labs. It turns out that a > slight amount of thiosulfate remaining in the emulsion stabilizes the image > silver. Not as well as toning with a sulfiding toner or selemium or gold > toners but considerably. Now, what caught my eye in reading Eaton and > Crabtree is that they _discovered the same thing_! It was not followed up > but they were able to wash both film and paper prints completely free of > residual thiosulfate in their tests and found on accelerated aging that the > images faded much faster than when some residual thiosulfate remained. > They remark only that they thought the thiosulfate reacted with the silver > to produce something more stable than if the thiosulfate was completely > removed. This was in 1943 and the effect was not re-discovered for > something like ten or more years. > About the same time as the sea water washing was being researched > Crabtree, et.al. published the paper showing the result of an ammonia and > peroxide hypo eliminator. This eliminator has not been recommended for > general use for many years for several reasons, one being its too complete > removal of thiosufate (especially if some idodide is added). This paper is > also in the JSMPE. > I strongly recommend this site for anyone interested in researching the > history of photography especially as it was practiced in the professional > motion picture industry. > FWIW, the washing recommendations provided by Kodak for KHCA take into > account the problem of overwashing. KHCA is now discontinued but an > essentially identical product is made by Ilford. > > > -- > Richard Knoppow > Los Angeles > WB6KBL > dickburk@xxxxxxxxxxxxx > ============================================================ > ================================================= > To unsubscribe from this list, go to www.freelists.org and logon to your > account (the same e-mail address and password you set-up when you > subscribed,) and unsubscribe from there. >