[pure-silver] Re: Agfa Scala
- From: kironkid@xxxxxxx
- To: pure-silver@xxxxxxxxxxxxx, speedgraphic@xxxxxxxxx
- Date: Wed, 5 Dec 2012 13:34:44 -0500 (EST)
The few times I shot it, I got dull, lifeless trannies.
KK
I have shot it as a transparancy in 35mm and in 120.
I LOVED the results!
Speedy
-----Original Message-----
From: Speedy <speedgraphic@xxxxxxxxxxx>
To: pure-silver <pure-silver@xxxxxxxxxxxxx>
Sent: Wed, Dec 5, 2012 10:18 am
Subject: [pure-silver] Re: Agfa Scala
I have shot it as a transparancy in 35mm and in 120.
I LOVED the results!
Speedy
To: pure-silver@xxxxxxxxxxxxx
Subject: [pure-silver] Re: Agfa Scala
From: kironkid@xxxxxxx
Date: Wed, 5 Dec 2012 13:09:50 -0500
At the time, I never cared for it. But some shooters loved it. D5 is still
developing the stuff.
KK
-----Original Message-----
From: Dana Myers <dana.myers@xxxxxxxxx>
To: pure-silver <pure-silver@xxxxxxxxxxxxx>
Sent: Wed, Dec 5, 2012 10:01 am
Subject: [pure-silver] Re: Agfa Scala
On 12/5/2012 9:42 AM, Pablo Kolodny wrote:
> I've used to shoot a lot of Scala film, rolls and sheets. It's basically the
same film as the APX 100.
> I've processed mine in Rodinal 1+25 at 22 C for 8 minutes for 120 rolls.
> Be aware that despite Scala is marked 200 its real speed is 100.
> Beutler's will also work just fine, so it will Pyrocat and even X Tol
>
I never shot any Scala, but what I recall agrees, Scala was re-purposed APX100
with
reversal processing. Doesn't surprise me.
Cheers,
Dana
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