I posted this to my Canon Yahoo group expressing my thoughts on artistically enhancing photos which was being discussed, but parts of it can apply to normally processed/retouched images also. I think it's very limiting to hold your processing basically to "just what the camera captured", which some photographers call being a purist. First of all, the scene you saw in your mind at the time might not look anything like what the camera captured in terms of colors, detail, contrast, composition, etc. I also find among my friends and acquaintances and my husband that there are 2 mindsets about enhanced photo art: I find that men and some women who are engineers or have that type of "brain" don't care for it almost without exception, if it distorts reality, and that includes my husband whose usual comment on my photo art is "that looks weird". On the other hand, people who are artistic, even a little, tend to like it and a few local friends who are photographers also enjoy doing it. Most of my artist friends in Studio 206 artists co-op that I belong to are not into photography but they all really like my work and say "I wish I could do that!" I think Jack Davis, Photoshop book author, great photographer and teacher who taught several excellent classes on Photoshop and iPhoneography that I watched at creativelive.com this summer, made some very good points about retouching and enhancing photos. Here's the jist of it from my notes: Every image should tell a story, the most potent story possible; a memorable story where people want to spend time looking at it. Make artistic, not just documentary, photos. If there is a branch in front of a bird or a lamp post growing out of someone's head, remove it! (He also included phone and electric wires on poles. I try to always do that, plus I have removed MANY contrails from my sunset photos since we have a nearby airport and a pilot training base here.) If the background is distracting, crop it out if possible, and/or add a slight dark vignette and consider blurring to help hide it. Unless you are a photo-journalist, there is no reason to leave distracting elements in the picture. Do whatever retouching or enhancing is necessary to tell the story and guide the viewer to see what you want them to see. Judy Howle Southern Exposures Photography http://southernexposure.zenfolio.com Digital Photography Class; photography information and resources http://digitalphotographyclass.net