[ddots-l] Re: recording in sonar

What about putting your project on DVD?
I've done that as well, and transferred my works on to a new one. 

                                        James
-----Original Message-----
From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On
Behalf Of Gordon Kent
Sent: Sunday, November 27, 2005 10:53 AM
To: ddots-l@xxxxxxxxxxxxx
Subject: [ddots-l] Re: recording in sonar

I think having clients buy a hard drive is a great idea.  An 80gb hard drive

is a lot less expesnive than a reel of 2-inch ampex 456 was even back in the

eighties, and they can fit albums of material on it.  Also, I really like 
the idea of having the client be responsible for their masters.
Gord
----- Original Message ----- 
From: "Shawn Brock" <shawnbrock@xxxxxxxx>
To: <ddots-l@xxxxxxxxxxxxx>
Sent: Saturday, November 26, 2005 4:29 PM
Subject: [ddots-l] Re: recording in sonar


> you have a good point bill!  i hav been thinking that for longer sessions,

> lets sey clients that are recording an hole project.  just get these folks

> to by a hard drive, or at least offer it as an option.  this would cut 
> down on me storing masters, as well as giving clients d v d copys of there

> session.
> Shawn Brock
> Cincinnati Sound Lab
> 130 East Sixth Street
> Cincinnati Oh.
> 45202
> Phone: 513-349-8541
> Web Site:
> www.cincysoundlab.com
> ----- Original Message ----- 
> From: "William R. McCann" <BillList1@xxxxxxxxxxx>
> To: <ddots-l@xxxxxxxxxxxxx>
> Sent: Saturday, November 26, 2005 2:52 PM
> Subject: [ddots-l] Re: recording in sonar
>
>
>> Right, we do offer removable hard drives as an option for our systems. 
>> See
>> http://www.dancingdots.com/prodesc/workstations.htm for details.  In the 
>> old
>> days, clients would want to take their master, two-inch open reel master
>> with them.  Then studios started giving people DAT tapes.  Now clients 
>> just
>> want to take the entire session home with them on their own hard drive 
>> which
>> can be ghosted and kept in two safe locations to avoid catastrophe.
>>
>> Bill
>>
>>
>> -----Original Message-----
>> From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] 
>> On
>> Behalf Of Kevin L. Gibbs
>> Sent: Friday, November 25, 2005 2:57 PM
>> To: ddots-l@xxxxxxxxxxxxx
>> Subject: [ddots-l] Re: recording in sonar
>>
>> Removeable hard drives.
>> K.
>>
>> -----Original Message-----
>> From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx]
>> On Behalf Of FrankLizarde
>> Sent: Friday, November 25, 2005 11:31 AM
>> To: ddots-l@xxxxxxxxxxxxx
>> Subject: [ddots-l] Re: recording in sonar
>>
>>
>> Would this limit be per track?
>> On a live situation you would probably be recording 24 tracks. Of coarse,
>> using a giant hard drive. But what if you were recording a festival, 
>> where
>> the bands have brakes, but not the recording?
>> ----- Original Message -----
>> From: "Satauna Howery" <sthowery@xxxxxxx>
>> To: <ddots-l@xxxxxxxxxxxxx>
>> Sent: Friday, November 25, 2005 11:17 AM
>> Subject: [ddots-l] Re: recording in sonar
>>
>>
>>> Frank, even musicians have to take a break! *smile* If I were
>>> recording a live concert, I would break each set up into its own
>>> project file.  Seems to me that most of the time, sets don't last
>>> beyond two hours.
>>>
>>> Satauna
>>>
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