[ddots-l] Re: cellphones

  • From: "Dave Carlson" <dgcarlson@xxxxxxxxxxxxx>
  • To: <ddots-l@xxxxxxxxxxxxx>
  • Date: Sun, 9 May 2010 08:57:32 -0700

Shane,

Suggest you go and join this list to talk about cell phones and accessibility.

http://www.talknav.net/

Dave

  ----- Original Message ----- 
  From: Shane Lowe 
  To: ddots-l@xxxxxxxxxxxxx 
  Sent: Sunday, May 09, 2010 08:32
  Subject: [ddots-l] Re: cellphones


  How about the Iphone with voice over.
  Make sure you get the 3gs versian or you would have to download the voice.
  And It's not worth it.

  Good luck,
  Shane

    ----- Original Message ----- 
    From: info@xxxxxxxxxxxx 
    To: ddots-l@xxxxxxxxxxxxx 
    Sent: Sunday, May 09, 2010 10:27 AM
    Subject: [ddots-l] cellphones


    Does anyone know of any accessible cellphone in the USA. I have talks on my 
old phone but do not want to buy another licence.  I hear that the android 
phones may work and that metropcs has some kind of speech on it. I'd really 
appreciate some advice since my cell just died.
    Jeanette
      ----- Original Message ----- 
      From: Dave Hillebrandt 
      To: ddots-l@xxxxxxxxxxxxx 
      Sent: Sunday, May 09, 2010 9:44 AM
      Subject: [ddots-l] Re: Rode microphones


      Yes, it is strange how diverse American accents can be. Someone from new 
orleans will definitely sound different that someone from Boston. used to love 
to do impersonations when I was younger but have lost the nack for it. I am 
really amazed by a few British actors who can pull off American accents 
flawlessly like the guy who does the tv show house and i would never know. Even 
listening for it now, he is just so good that can't tell. Will listen for your 
show on radio 360. Oh, am sure there is an American audience who is just 
perfect for your performances but just a matter of finding a manager who can 
find it. Best of luck. Dave
        ----- Original Message ----- 
        From: Steve Wicketts 
        To: ddtots 
        Sent: Sunday, May 09, 2010 7:29 AM
        Subject: [ddots-l] Re: Rode microphones


        Hi Dave,

        My studio is also more of a creative outlet, I Have the odd bit of work 
come my way.
        When I say odd, I mean odd, just been recording an Impersonator of many 
characters for a Theme park Robot.
        It was this project that made me realise that the Shure 87A was not 
designed for this kind of work.

        Regarding my Shows, I'm based in the UK, I love American Rock 'N' Roll 
from the 1950's.

        I've yet to perform in the USA. 
        I've had enquiries from: Perfect Impressions Entertainment, Decatur, 
Illinois: and Star Attractions in Las Vegas.
        I was very flattered, as I didn't contact them, they, contacted me.  
        I'm flattered as I still feel my performance level needs to go up a few 
gears before I'm ready for the American audiences.

        Fred Puglia from Perfect Impression asked, "How much of an accent do 
you have? would your American accent fool an American audience? 
        I replied, "My American accent doesn't even fool an English Audience. 
Which is even worse than it sounds as most English audiences wouldn't know the 
difference between someone from Memphis and someone from New York."

        Steve W 

          ----- Original Message ----- 
          From: Dave Hillebrandt 
          To: ddots-l@xxxxxxxxxxxxx 
          Sent: Sunday, May 09, 2010 5:08 AM
          Subject: [ddots-l] Re: Rode microphones


          Steve, Yeah, thats what i get when flying through these emails and 
didn't hear the 87 properly. I bet the old fasioned look for that one mic does 
go over quite well for atmosphere and that kind of thing definitely makes a 
difference. think i'd like to check out that show myself. Yes, you'll like the 
sound of the C1, i'm quite sure. I do love the nt2A for having the three 
paterns thouogh. handy when having a few people playing precussion, and can 
have that figure eight patern going and makes for a cool sound. If i had to 
choose one or the other though, think i would have to pick the c1 just because 
it sounds so extremely good on acoustic guitar and vocals. To have both is 
great and wanted a couple really decent mics and not a bunch of cash to blow. 
At this point, i'm not making money off of the studio and more for a creative 
outlet than a job so hard to justify paying thousands for one mic. Basically, 
two good mics for under $500 is pretty good i think. Would love to check out 
your music. Where are you located. Am near Orlando, Fl. /dave
            ----- Original Message ----- 
            From: Steve Wicketts 
            To: ddots-l@xxxxxxxxxxxxx 
            Sent: Saturday, May 08, 2010 9:21 PM
            Subject: [ddots-l] Re: Rode microphones


            Hi Dave,

            You've sold me on the C1, as for phantom power, I'm used to using 
phantom power as the Shure Beta 87A is a Condenser microphone.
            I'm also using a Shure SH55 classic microphone, This has the casing 
of a 1950's microphone but inside is a Shure Beta 58 head, the idea is good but 
the sound is not anything special. 
            I use it on my Jerry Lee Lewis shows because it has that 1950's  
retro look.   

            Steve W 

            ----- Original Message ----- 
              From: Dave Hillebrandt 
              To: ddots-l@xxxxxxxxxxxxx 
              Sent: Saturday, May 08, 2010 3:50 PM
              Subject: [ddots-l] Re: Rode microphones


              hi Steve, The 57 and 58 mic's are great for live use but you 
won't believe difference with either the nt2A or the Studio project 
microphones. i have the C1 and people just can't believe its sound for the 
price. of course you can blow hundreds and hundreds of dollars for certain mics 
but really believe the c1 is best out there for the price. Think around $240 or 
so and that is a great price for high quality mic with bass rolloffs and 
padding as well which really comes in handy. If you check the reviews out 
there, think they will show that I'm not alone. The Shure mics can handle some 
basic recording but when you want to get a foot away from mic, they don't hang 
with the true recording mics. Can't beat 57 for being durable but just don't 
have the definition and subtleties of a good recording mic. You won't be sorry. 
most all decent recording mics do require fantom power however so something to 
know in advance. Dave
                ----- Original Message ----- 
                From: Steve Wicketts 
                To: ddots-l@xxxxxxxxxxxxx 
                Sent: Saturday, May 08, 2010 9:04 AM
                Subject: [ddots-l] Re: Rode microphones


                Hi Dave,

                Thanks for the info about Rode microphones, and thanks for 
mentioning Studio Project microphones.
                Which of the Studio project microphones do you have?

                I'm using a Shure Beta 87A for my live Shows, it suits my voice 
well, I just think I need something a little more studio dedicated for 
recording.

                Steve W 


                  ----- Original Message ----- 
                  From: Dave Hillebrandt 
                  To: ddots-l@xxxxxxxxxxxxx 
                  Sent: Saturday, May 08, 2010 1:19 PM
                  Subject: [ddots-l] Re: Rode microphones


                  hi Steve, i really like my NT2A as is good for many uses, and 
very good for vocals. Use mine on acoustic guitar, precussion, and even used it 
on guitar amp. The NT1A works very well too but NT2A has choice of different 
paterns which can be handy. To be honest, think you may want to check out the 
Studio Project microphones as well. Used my NT2A exclusively til I bought one 
of theirs. Have had many different people use it and all have been amazed and 
had to go out and buy one of their own. You can't go wrong with either one but 
since I got the Studio Project mic have pretty much just stuck with it and the 
NT2A has been in its case for a while. Dave
                    ----- Original Message ----- 
                    From: Steve Wicketts 
                    To: ddtots 
                    Sent: Saturday, May 08, 2010 7:34 AM
                    Subject: [ddots-l] Rode microphones


                    Hi All,

                    I'm aware that quite a few of the people who post on this 
forum use Rode microphones for studio projects.

                    I'd never heard of them until I read about them on this 
forum, I've since taken a look at the reviews about Rode on the net, I'm very 
impressed with what I read. 

                    I just wondered, which one of the rode studio microphones 
would you recommend as the best one for lead vocals and voice-over recordings?

                    Steve W 




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