Try me at 12pm, I assume that's noon. I live in Central time. If you're in Montreal, you're an hour ahead. If I don't answer Skype, keep trying for ten minutes. If that fails, leave an e-mail at kevjazz@xxxxxxxxx with alternate time. Kevin -----Original Message----- From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Mike C Sent: Thursday, November 12, 2009 6:15 PM To: ddots-l@xxxxxxxxxxxxx Subject: [ddots-l] Re: a request cool I'll skype you then. What's a good time for you? I have 12pm in the afternoon, or the evening. From: Kevin Gibbs <mailto:kevjazz@xxxxxxxxx> Sent: Thursday, November 12, 2009 5:49 PM To: ddots-l@xxxxxxxxxxxxx Subject: [ddots-l] Re: a request Mike, Just added you to Skype. Let's talk tomorrow or Sunday. Kevin -----Original Message----- From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Mike C Sent: Thursday, November 12, 2009 6:46 AM To: ddots-l@xxxxxxxxxxxxx Subject: [ddots-l] Re: a request Hi kev, hope all is well, I was thinking of contacting you this weekend, if you can still help me out on my project. I'm availabe this evening, or This friday, or Sunday, or next Week. Let me know what works for you. I'll add you to my skype account which is guitarmike2134@xxxxxxxxx Once again, thanks for helping me out, its much appreciated. ----- Original Message ----- From: Kevin Gibbs <mailto:kevjazz@xxxxxxxxx> To: ddots-l@xxxxxxxxxxxxx Sent: Thursday, October 22, 2009 10:11 AM Subject: [ddots-l] Re: a request MIke, I'm around. My skype name is kevjazz. I'll help if I can. K. -----Original Message----- From: ddots-l-bounce@xxxxxxxxxxxxx [mailto:ddots-l-bounce@xxxxxxxxxxxxx] On Behalf Of Mike C Sent: Thursday, October 22, 2009 7:43 AM To: ddots-l@xxxxxxxxxxxxxxxx Subject: [ddots-l] a request Hey guys, hope you are all well. I'm writing to you all today to ask if any of you would be interested in conducting a 20 minute interview with me as I am writing a paper regarding music with visually impaired individuals. I'm going to focus on three things, 1. The social aspect, (I can explain this when I speak to you,) 2. job opertunities concerning musicians who are visually impaired. 3. Narrowing the gap, meaning before all of our fantastic tools that we currently have today, how did you manage with your sited counter parts in getting your music across, say around 10 to 20 years ago, what were some of the challanges faced at the time, again I'll explain all of this during the interview. Thanks.