Thank you for all the pointers!!! On Jan 19, 2015 1:01 PM, "Robert and Jean Pollock" <rjpollock@xxxxxxxxxx> wrote: > I want to add one thing to Matt's comments, and it applies to the Canon SX > series (SX 40/50/60) as well as to other cameras. Unless you plan to use > the RAW data, you will get the highest quality photographs if you set the > camera to record the largest JPG files. > > Jeannie and I have been pleasantly surprised by the quality of the > photographs that her SX 40 produces. The major disadvantage of small > sensor cameras is their high contrast, noisy files, but if you work > carefully and the light is on your side you can avoid these problems to a > considerable extent. The major advantages that these cameras have over > large sensor cameras are that they are smaller, lighter, less expensive, > and they have significantly greater depth of field at a given aperture and > focus distance. > > Bob Pollock > > > > On Jan 18, 2015, at 7:08 PM, Matthew G Hunter wrote: > > Hi Folks, > In attempting to discern details from Liz's photos of her large falcon > (and finding it difficult because of the blown highlights and high > contrast), I was reminded of a couple things that Bob and Jeannie Pollock > wrote to me a year or two ago when they saw many of my first photos with my > Canon SX50HS (Liz used same model for her falcon photos). While Bob's > details of the instructions are specific to this camera (or one very > similar), the basic adjustments can be done with many cameras. What I have > done is made these adjustments and applied them to one of the custom spots > on the dial on top of my camera, so that I can use or access it any time. > I could have just sent this email to Liz, but I know that at least 6 of you > on this list have this very same camera, and the rest of you may learn > something from what I learned from Bob and Jeannie. Again, these suggested > settings are especially for outdoor conditions of strong light and high > contrast with these small cameras (may not be necessary for a camera with a > larger sensor). If photos are taken in lower light or less contrast > conditions with these settings, some photos will end up somewhat dark and > dull, but this is easily corrected with photo editing software (Bob, feel > free to clarify anything I muddled). > > SET CONTRAST TO LOW OR LOWEST SETTING > "One thing that I suggest you do is go into shooting mode and press the > Function Set button. Go down to My Colors on the left bar and then over to > Custom Color on the bar that has appeared on the bottom of the screen. Now > press Display and the first choice is Contrast. Set Contrast to the > lowest setting (the leftmost one) and press Function Set to go back to the > shooting screen. The reason that I suggest this is because the very small > sensors in our cameras have a tendency to blow out highlights (they retain > no detail) and the best way to reduce the possibility of that happening is > to use the lowest Contrast setting. To see what I mean, take two > pictures of an object with white or light areas with Contrast set to the > lowest and then to the highest setting." MATT'S NOTE: Under this setting, > some photos may come out with lower contrast than desired, but this is > easily remedied with photo editing software. > > SET EXPOSURE MINUS 2/3 STOP > "Here's one other thing that you might want to play around with. We've > discovered that both of our Canon compact cameras produce better exposed > pictures if we set the exposure to minus 2/3 of a stop. To do that, in > the shooting mode press the function set ring upwards to bring up the > exposure compensation bar and then change the exposure by rotating the > function set ring. Slightly underexposed pictures (underexposed according > to what the camera thinks is right, that is) usually look better, are less > likely to have blown highlights, and require a faster shutter speed that > coincidentally increases the probability that the picture will be sharp." > MATT'S NOTE: Again, if the photo turns out a little too dark, it is easily > lightened up with photo editing software. However, without this adjustment, > if the pale areas are blown out (meaning they are so white there is no > detail left in that part of the photo), that area cannot be salvaged. > > Thanks to Bob and Jeannie for those tips--they have helped me tremendously > over the last year or so--and I hope some of you find these helpful as well. > > Hoping to go look around for a large falcon Monday.... > > Matt Hunter > >