On Tue, 23 Jul 2002 14:02:33 -0700 Carl Lumma <carl@xxxxxxxxx> writes: > > I saw a bit on Robert Walker's tune's page... > > http://robertinventor.com/tunes/index.htm > > ...on a technique developed by Gene 'for transforming the tuning of a > tune while keeping the melodic line intact'. > > Robert (hello, Robert!) says everything he knows of the technique is > embodied in some posts of Gene's. I found the posts copied below, > but I cannot decipher the technique. Is there a post I'm missing, > Gene? Or a chance I could get a primer on how it works? The way I > read the first post, it seems like a trivial mapping of intervals > from one temperament to another? No? The stuff Robert used was such a mapping, defined by a mapping from generators to generators of p-limit JI. I have an old paper I recently uncovered which my brother is supposed to scan for me, and which has both a certain historical interest but also a practical one, in that it explains this and goes on to transformations which are not note-to-note. ____________________________________________________________ To learn how to configure this list via e-mail (subscribe, unsubscribe, etc.), send a message to listar@xxxxxxxxxxxxx with the subject line "info tuning-math". Or visit the website: < //www.freelists.org/list/tuning-math > .