I am a "cusp child": at 55, my earliest photographic experiences consisted of making contact prints from 6cm by 9cm negatives from a Voigtl=E4nder Bessa. but I had moved to 35mm by the late 1960's and all of my darkroom days for twenty years were spent printing 35mm negatives. Those a few years older than me would have started with either true Large Format or a Press Format such as 4" by 5". So, their experience would have been to move down in format when 35mm became the norm, while my own experience was the reverse, in that I only moved to printing 120 negatives about 15 years ago. =20 For me, this was a most liberating experience. 35mm negatives print nicely, for sure, but there are severe limits on enlargement before highlights block up and the like. 120 was freedom: I could print a portion of a Rolleiflex negative without being limited by concerns over this and found my prints distinctly better. =20 I have found the same result with scanning negatives: I enjoy much more overall quality with a 6cm by 6cm negative than with the little bittie 35mm negative. I am not condemning 35m work, and I still regularly shoot in that format, but, damn!, what a wonderful experience it was to suddenly realize the freedoms afforded me by that 120 negative with its much greater ability on gradation control and the like. Marc msmall@xxxxxxxxxxxx=20 Cha robh b=E0s fir gun ghr=E0s fir!