[rodgersorgan] Re: Trouble in PR300S Land

  • From: "KGramlich" <keith.gramlich@xxxxxxxxxxx>
  • To: <rodgersorgan@xxxxxxxxxxxxx>
  • Date: Mon, 19 May 2003 22:22:24 -0400



To all who answered my call for help, THANK YOU!!!

Great suggestions that now that I think of each situation, they should work.
Noel, I appreciate your offering as well, but I had already thought of the
situation with the Send Only command at the console. I trued it the other
way (Send and Receive) and what happens, is then when I go to play the
anthem accompaniment (which 99% of the time is only PR and no organ), the PR
then goes to play the last voice pallette sound used in the ORCH section of
the great.

This has been a big problem, and I had finally resorted to shutting down the
i557 and PR and rebooting each time. The problem for me is that the choir
sings immediately after the Gloria Patri. So its "Amen", shut down both,
reboot both, cue up anthem (which now about song # 36 on the disk), go to
the choir area, and begin, hoping no one fell asleep in the mean time.

Now if I could just find away to keep the once-in-a-while cypher from
playing (yes, I am on version 4. Took care of that already!). Also, I am
un-satisfied with the trems on that organ. Anyone know if they are coming
out with a version that beefs up the trems? There is no way I or anyone at
the church can come close to affording the Hector sound fonts for theatre
organ.

Thanks again everyone. Noel, this is a great list! Keep it up!

Keith Gramlich
----- Original Message -----
From: <wolflampert@xxxxxxxx>
To: <rodgersorgan@xxxxxxxxxxxxx>
Sent: Monday, May 19, 2003 2:52 PM
Subject: [rodgersorgan] Re: Trouble in PR300S Land


>
>
> I was relieved to know that others also have had the experience of
> dialing up a PR300S file, and then when it came time to play it (after
> some piston pushing in the meantime), the file would play using totally
> unexpected instrument sounds.
>
> Jim Hockin's method may be one solution.  What I have found to work for
> me is:
> 1) Dial up the next file to be played.  It doesn't matter how many
> pistons you push or how much music you play after that;
> 2) Just before hitting PLAY on the PR300S, punch the STEP FWD (>>) button
> once.  This transfers the registration info, including the MIDI sounds,
> to the organ without playing a note;
> 3) Push RESET to return to the beginning of the sequence and press PLAY.
>
> If you have cued up a file in Standard MIDI format, it will take a little
> longer for the data transfer.  Also, I have noticed that if the file is
> one that I have recorded in multiple passes, with 2 or more organ tracks,
> the PR300S gets confused and likes to "cancel" the registration when you
> hit RESET.  Repeating the process several times will eventually get the
> registration to "stick".  I think this glitch, though, is due to my
> failing to disable the CLOCK on the PR300S prior to overdubbing
> additional organ tracks.
>
> Just another method for you to try.  Good luck.
>
> Wolf Lampert
> Colorado Springs
>
> On Sun, 18 May 2003 08:29:23 EDT Jhockin1@xxxxxx writes:
> >
> > Yes, Noel has some good points about the settings of the Send and
> > Receive. I
> > usually set the organ to send STOPS only and receive STOPS AND
> > PISTONS (S&P).
> > Someone told me this a while back, but maybe receiving STOPS only is
> > a good
> > idea? Need to check on this. Anyone else know?
> >
> > Also Keith said that he has the PR300 sequence dialed up and ready
> > to go. I
> > used to do that and was so proud of myself for being organized, but
> > I found
> > my MIDI sounds changed when I finally played it. That will not work
> > if you
> > use other MIDI sounds after you dial up the song. When you dial up a
> > song it
> > sets the MIDI piston sounds. But, if you use other sounds between
> > when you
> > dial up the song and actually push "Play" to play it the sounds will
> > become
> > what the last piston called for.
> >
> > My solution? - Dial up the song only before you play it. To save
> > time if you
> > have a lot of songs on your disk, dial up the song just under the
> > one you
> > want to play so all you have to do is move the Alpha dial up one
> > song.
> >
> > For instance, I want to play song #17 at the end of the service and
> > I want it
> > ready to go. But I am going to push a lot of pistons before the time
> > I need
> > to play that song, and maybe some of my pistons have MIDI sounds on
> > them. But
> > if I start from the NEW SONG screen I have to dial through 17 songs.
> >
> >
> > So...dial up song #16 so you are close to #17. You are not going to
> > play #16,
> > but when it comes time to play #17 rotate the Alpha dial from #16 to
> > #17. The
> > MIDI sounds will load into the pistons as soon as you dial up #17.
> > And it
> > takes very little time to go from #16 to #17. Press Play and away
> > you go. It
> > works for me!
> >
> > Jim Hockin, Rodgers Organ Studio, Minneapolis
> >
> >
> >
> =========================================================================
> ====
> > New low pricing on books and music for the Rodgers Organ at
> > www.frogmusic.com
> >
> > =======
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> > go to www.frogmusic.com/rodgersmem.html
> >
> >
> >
> >
>
>
> Wolf Lampert
> Lone Wolf Music
> 5010 Horseshoe Bend
> Colorado Springs, CO 80917
> (719) 574-2720
>
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=
> New low pricing on books and music for the Rodgers Organ at
www.frogmusic.com
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>
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=
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>


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