[pure-silver] Re: Slightly OT: Large format telephoto

  • From: "Richard Knoppow" <dickburk@xxxxxxxxxxxxx>
  • To: <pure-silver@xxxxxxxxxxxxx>
  • Date: Thu, 18 Feb 2010 08:43:42 -0800


----- Original Message ----- From: "Joseph O'Neil" <joneil@xxxxxxxx>
To: <pure-silver@xxxxxxxxxxxxx>
Sent: Monday, February 15, 2010 6:59 AM
Subject: [pure-silver] Re: Slightly OT: Large format telephoto


On 2/15/2010 9:50 AM, pdesmidt tds.net wrote:
I miss Steve Grimes. He was always incredibly helpful. If I could send work his way, I did. These days, though, it often isn't as practical to mount old process lenses in shutters. Sure, if you have some decent shutters sitting around, the price isn't too bad, but new shutters have gotten very expensive. One can buy a Sinar behind the lens shutter for the cost of one new Copal 3 shutter. The Sinar shutter will allow you to use as many barrel lenses as you like, assuming you really need a shutter in the first place. With 8x10 at least one can often do without. In any case, while you can get some very high focal length process lenses, I doubt that many of them are telephoto.


Mostly a lurker here, but a couple of thoughts. I used 4x5 and 8x10, and I use both process lenses - some with shuttes, some not with shutters such as apo-ronars, red dot artars and g-clarons, and I do have one true, 4x5 telephoto - the Wollensak tele-raptar. I forget the exact focal length, but it works out to about 360mm on 4x5

There are several differences, but one of the mian ones is that on a true "tele" lens for LF, you do nto need as much focus travel. for example, on my 4x5 Tachihara or my crown graphic, my 270mm g-claron has to rack all the way out to almost the limit of the bellows to focus, whereas with the tele-raptor, which is actually almost 100mm longer, it goes out only about 2/3rds trhe way.

The drawback is that compared to F9 process lenses, "tele" lenses tend to be much heavier, and you need a much more robust camea. So my Crown graphic or my Zone field camera will handle the tele-ratpor, but the front standard on my Tachihara is way too light to handle it.

So if backpacking and light weight is the most important thing, go the F9 process lenses, but if you are driving,a nd just walking a little, you ay like the tele lens.

One last bit, on *some* process lenses, not all, the image circle is bigger than on tele - lenses. This is mostly true for the g-clarons, but the image circle on my apo-ronar and my RD artar is not all that big

jeo

A couple of things: First, the distance a lens moves from infinity focus to a closer subject is strictly a function of focal length, it is the same for a lens whether its a standard lens or a telephoto. The telephoto lens has the advantage that the rear principal point is displaced in space so that it appears further away from the image plane. That is, the back of the lens can be closer to the film for the same infinity focus. However, the distance the lens moves to focus more closely is exactly the same as for a standard lens. Process lenses are designed for optimum correction at equal subject and image distances. The Apochromatic Artar and similar lenses are of a type known as a Dialyte, these have unusually stable corrections with change in distance plus they are relatively simple, slow lenses with limited coverage. All of which tends to reduce the loss of correction. The Artar works quite well at infinity when stopped down a little particularly if you are not using the full field. The Dialyte has a rather small image circle which does not get much larger as the lens is stopped down. I don't remember if the G-Claron is a Plasmat type, but think so. Plasmats have inherently larger coverage than a Dialyte although the process versions have less coverage than general use lenses. Many view camera lenses are Plasmats, the Schneider f/5.6 Symmar and Rodenstock Sirronar being examples. The Plasmat was derived from the Dagor by splitting the inner element from the cemented triplet in each cell and air spacing it. The advantage is that the Plasmat has much better correction for spherical aberration than the Dagor. It retains the Dagor's property of being essentially a wide angle lens. One advantage of using these long lenses rather than a telephoto is that they have less lateral color and less geometrical distortion both of which are minimized by the symmetrical construction even when used at infinity focus. Both aberrations are correctable in telephoto lenses but the lack of symmetry makes it hard to do so.

--
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx
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