Yes, the quality of the light is important. I have seen studio work that absolutely destroyed the very "creamy" skin they were looking to create and I have seen them loose the lips, eye color, etc by forgetting that they have color as well. Not only can you put a filter on your lens to change the response of the film such as a red filter, orange, blue, etc, but the lights and diffusion material used directly affect the quality of the light through changes in color temperature. Those changes will show up in skin, hair, eyes... So Justin, Did you both shoot in the same lighting? Also, look at the response curves of the B&W films that you use and see the difference in RGB values; it might surprise you. And just so I am clear, I do see creaminess and grainlessness as to different looks. Eric Eric Neilsen Photography 4101 Commerce Street, Suite 9 Dallas, TX 75226 214-827-8301 http://ericneilsenphotography.com > -----Original Message----- > From: pure-silver-bounce@xxxxxxxxxxxxx [mailto:pure-silver- > bounce@xxxxxxxxxxxxx] On Behalf Of Gene Johnson > Sent: Saturday, June 18, 2005 10:59 AM > To: pure-silver@xxxxxxxxxxxxx > Subject: [pure-silver] Re: Skintoness and Light > > Really good skintones have more to do with lighting (directly) and > exposure(indirectly) than anything else I've done. If you want to take > good > pictures with skin in them, I would encourage anyone to start there. > > ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.