From a recent NY Times Article on Irving Harper, a 93-year-old Modernist product designer: When an admirer gave Harper an Apple computer in return for a gift of some vintage graphics, the designer hauled it to his upstairs studio, where it remains unused in a closet. “With a computer there are too many choices, and I always liked working within limits,” he said. “You know, if you look at Mozart, who had this strict classical framework — an allegro, an andante, a scherzo and a finale — you see that within that formula, he got results he might never have gotten if he had all the options in the world.” It's a great analogy for what we do in the darkroom, I think. full article text here: http://nyti.ms/bsX7ee Adrienne Moumin *************************************** on the web at: www.picturexhibit.com more work @ Saatchi Gallery: www.tinyurl.com/hw6r3 handmade jewelry: www.droolerystore.com ***************************************