[pure-silver] Re: Hypo-Alum Toner (Photo-Formulary)

  • From: "Richard Knoppow" <dickburk@xxxxxxxxxxxxx>
  • To: <pure-silver@xxxxxxxxxxxxx>
  • Date: Mon, 4 Oct 2004 18:01:45 -0700

----- Original Message ----- 
From: "Dave Hornford" <dave@xxxxxxxxxx>
To: <pure-silver@xxxxxxxxxxxxx>
Sent: Monday, October 04, 2004 4:19 PM
Subject: [pure-silver] Hypo-Alum Toner (Photo-Formulary)


> What should the Photo-Formulary's Hypo-Alum toner look 
> like?
>
> After adding the Alum it is mixed to a milky colour. Is 
> this normal - the
> documentation says to mix until fully dissolved.
>
> Thanks Dave
>
>
   I think the milky appearance is normal.  I don't know 
about Photographer's Formulary toner but here is a typical 
formula: Agfa/Ansco 222

Solution 1
Water, at about 125F or 52C                    2350.0 ml
Sodium thiosulfate, crystaline                  450.0 grams

Solution 2
Water                                            30.0 ml
Silver Nitrate                                    1.3 grams

Solution 3
Water                                            30.0 ml
Potassium Iodide                                  2.7 grams

    Add solution 2 to solution 1. Than add solution 3 to the 
mixture.
Finally add 105.0 grams of Potassium Alum to this mixture 
and heat the entire bath to the boiling point or until 
sulfurization takes place as indicated by a milky appearance 
of the solution. Tone prints 20 to 60 minut4s at 110 to 125F 
Agitate prints occasionally until toning is complete. Care 
should be taken to insure complete conversion of the blacks 
or double tones may result.

    Note: For this and other solutions containing Sodium 
Thiosulfate. Crystaline thiosulfate is strongly endothermic 
and needs very hot water to dissolve. If anhydrous 
thiosulfate is used it should be mixed in water no hotter 
than 90F to avoid sulfurization. For anhydrous thiosulfate 
use 60% of the amount given for the crystaline form.

    For comparison here is the Kodak version of this toner. 
I don't know why cold water is specified for the first 
solution because crystaline hypo will dissolve very slowly 
in it and cause it to become extremely cold. Nonetheless, 
its specified in several sources for the formula

Kodak T-1a Hypo-Alum Sepia Toner

Cold water                        2800.0 ml
Sodium Thiosulfate, crystals       480.0 grams

Dissolve thoroughly, then add the following solution:

Hot water (about 160F or 70C)      640.0 ml
Potassium Alum                     120.0 grams

Then add the following solution, including precipitate 
_slowly to the Hypo-Alum solution while stirring the latter 
rapidly_.

Cold water                        64.0 ml
Silver Nitrate                     4.2 grams
Sodium Chloride                    4.2 grams

After combining the above solutions add wate to make 4.0 
liters

Note:  The Silver nitrate should be dissolved completely 
before adding the Sodium chloride and immediately afterward 
the solution containing the milky white precipitate should 
be added to the hypo-alum solution as directed above.  The 
formation of a black precipitate in no way impairs the 
toning action of the bath if proper manipulation technique 
is used.

   For use pour into a tray supported in a water bath and 
heat to 120F (49C). At this temperature prints will tone in 
12 to 15 minutes depending on the type of paper. Never use 
the solution at a temperature above 120F. Blisters and 
stains may result.   Toning should not be continued longer 
than 20 minutes at 120F.

   In order to produce good sepia tones, the prints should 
be exposed so that the print is slightly darker than normal 
when developed normally.
    The prints to be toned should be fixed thoroughly and 
washed for a few minutes before being placed in the toning 
bath. Dry prints should be soaked thoroughly in water. To 
insure even toning the prints should be immersed completely, 
and spearated occasionally, especially during the first few 
minutes.

    After prints are toned, they shuold be wiped with a soft 
sponge and warm water to remove any dsediment, and washed 
for one hour in running water.
 ----

    I would suggest the use of Kodak Hypo Clearing Agent 
after toning just as after fixing to accelerate washing.
    There are many other variations of this type of toner. 
In general it can be re-used almost indefinitely if the 
liquid level is kept up by adding water occasionally. The 
bleaching effect will become less as more silver is 
dissolved in the toner so it actually works better as it is 
used. If silver nitrate is not available the solution can be 
mixed without it and then used to tone scrap printing paper. 
It will acquire the silver from the paper.


---
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx




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