[pure-silver] Re: Fotofest meeting place
- From: Shannon Stoney <shannonstoney@xxxxxxxxxxxxxxx>
- To: pure-silver@xxxxxxxxxxxxx
- Date: Tue, 29 May 2007 09:30:28 -0500
Thanks for your thoughts.
This seems rather pitiful: that photographers are so desperate for
opportunity that they will pay such large fees to be told by reviewers
that their work is too "sentimental" or some such.
In thinking about this a minute ago, I realized that the people I know
in Houston who are actually selling their work and publishing books
don't seem to be on the list of local reviewers, at least for 2006. It
seems that there are (roughly) two tribes of fine art photographers:
those who make work that people actually like to buy and own
(conceivably possibly including flowers, landscapes, and nudes!); and
those who think that if you make stuff that people actually like, you
must have sold out somehow, and that it's a mark of sophistication to
make work that is inaccessible to most people and sometimes just plain
unattractive, or so self-absorbed that nobody could be really
interested in it except the artist herself. I may be exaggerating a
little, and it's possible I need to refine this idea some more, but I
think there's some truth to this.
There are a few reviewers who seem open to looking at anything. I
think that's the right approach. Sure, there are cheesy nudes and
flowers, etc, but to reject a body of work because of its subject
matter seems close-minded to me. (Except maybe in the case of child
pornography or something.) Some nudes of women that I have seen make
the woman's body look like a commodity; others show women's bodies as
beautiful and sacred, in all their individuality. That's just an
example. The same is true for flowers: I don't understand this flower
hatred among the reviewers. Mapplethorpe did flowers, wonderfully.
Maybe all along that's what he wanted to do, but he felt he had to do
the S/M body of work before he could be taken seriously enough to be
allowed to do flowers!
I can just imagine Mapplethorpe at FotoFest 2008, peddling his flower
pictures around, and having a hard time getting anybody to look at
them. Or poor Edward Weston, trying to get somebody to look at nudes
and landscapes. "We don't like nudes and landscapes here, Mr. Weston.
They're silly and dated. We're tired of them. Other people have
already done that, better than you ever will. Why don't you try
something more...conceptual?"
--shannon
On May 29, 2007, at 8:17 AM, Adrienne Moumin wrote:
Shannon,
By "competitive" I meant that there are SO many photogs wanting to get
in that the orgs running these things can, it appears, get away w/not
listing the reviewers (so they want YOUR commitment of the money but
won't give theirs about what you are GETTING for your investment), and
by only giving hints about what the reviewers DON'T want.......not
very helpful, as evidenced by your example.
Yet people sign up in droves (as I mentioned before, I got shut out of
the PowerHouse reviews, and I heard from a friend there were over 150
on the wait list!) , hungry for an oppty to get a show, make contacts,
or whatever their goals are.
I could name so many examples: photo contests w/glittering prizes
and/or great exposure run by established orgs...but the catch is that
you sign away your rights to how and how much the image is
used.........and there are many other examples I come across regularly
of the hyper-competitive, commerce-driven place the photography world
can be.
But perhaps PhotoFest is different, I heard someone rave about it 5 or
so yrs ago; unfortunately I have not had the oppty to hear anything
more recent.
I think most if not all of these orgs assign you to reviewers based on
your stated goals & work samples; but in a PhotoExpoPlus seminar I
went to last year, Sarah Hasted (of HastedHunt Gallery in Chelsea, NY)
suggested that photogs wanting to be "seen" by a certain reviewer
should, after the formal reviews have ended, approach that person and
ask if "they have a few minutes to look at your work".
What is traditional landscape? Great question! Seems to me that no
matter what your work is, you have to have some sort of a "hook" (to
use marketing lingo) that makes it different, unique, and eye
catching. It's not good enough to just be good anymore in certain
arenas, the competition is too fierce.
Again, just my $.02.
-Adrienne Moumin
***************************************
on the web at: http://www.picturexhibit.com
Saatchi Gallery: http://tinyurl.com/hw6r3
Art DC: http://tinyurl.com/vtjqf
***************************************
From: Shannon Stoney <shannonstoney@xxxxxxxxxxxxxxx>
Subject: [pure-silver] Re: Fotofest meeting place
Date: Mon, 28 May 2007 21:26:10 -0500
Fotofest does list the reviewers I think on their website but I
haven't
looked at it yet. Not sure what you mean by competitive: do you
mean, competitive for photographers to get in, or that the reviews
compete
with each other?
--shannon
OK, I misspoke. The fotofest site tells you who their reviewers were
LAST time, in 2006. And each reviewer says what she doesn't want to
look at. Usually it's "traditional landscapes, architecture, nudes,
and flowers." Ok, so what if I have a picture of myself in my flower
garden, with my shirt off? I guess that's verboten, huh? Maybe
that's
the way you're avant garde these days: you manage to put nudes,
flowers, architecture, and landscape all in one picture!! Maybe a
baby
animal for good measure. (Today I found two wild baby rabbits in my
garden. I petted them.)
So, do you get to pick your reviewers at events like this, or do you
have to go to the ones that they assign to you? What is "traditional
landscape" anyway?
--shannon
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- References:
- [pure-silver] Re: Fotofest meeting place
- From: Adrienne Moumin
Other related posts:
- » [pure-silver] Fotofest meeting place
- » [pure-silver] Re: Fotofest meeting place
- » [pure-silver] Re: Fotofest meeting place
- » [pure-silver] Re: Fotofest meeting place
- » [pure-silver] Re: Fotofest meeting place
- » [pure-silver] Re: Fotofest meeting place
- » [pure-silver] Re: Fotofest meeting place
Shannon,By "competitive" I meant that there are SO many photogs wanting to get in that the orgs running these things can, it appears, get away w/not listing the reviewers (so they want YOUR commitment of the money but won't give theirs about what you are GETTING for your investment), and by only giving hints about what the reviewers DON'T want.......not very helpful, as evidenced by your example.
Yet people sign up in droves (as I mentioned before, I got shut out of the PowerHouse reviews, and I heard from a friend there were over 150 on the wait list!) , hungry for an oppty to get a show, make contacts, or whatever their goals are.
I could name so many examples: photo contests w/glittering prizes and/or great exposure run by established orgs...but the catch is that you sign away your rights to how and how much the image is used.........and there are many other examples I come across regularly of the hyper-competitive, commerce-driven place the photography world can be.
But perhaps PhotoFest is different, I heard someone rave about it 5 or so yrs ago; unfortunately I have not had the oppty to hear anything more recent.
I think most if not all of these orgs assign you to reviewers based on your stated goals & work samples; but in a PhotoExpoPlus seminar I went to last year, Sarah Hasted (of HastedHunt Gallery in Chelsea, NY) suggested that photogs wanting to be "seen" by a certain reviewer should, after the formal reviews have ended, approach that person and ask if "they have a few minutes to look at your work".
What is traditional landscape? Great question! Seems to me that no matter what your work is, you have to have some sort of a "hook" (to use marketing lingo) that makes it different, unique, and eye catching. It's not good enough to just be good anymore in certain arenas, the competition is too fierce.
Again, just my $.02. -Adrienne Moumin *************************************** on the web at: http://www.picturexhibit.com Saatchi Gallery: http://tinyurl.com/hw6r3 Art DC: http://tinyurl.com/vtjqf ***************************************
From: Shannon Stoney <shannonstoney@xxxxxxxxxxxxxxx> Subject: [pure-silver] Re: Fotofest meeting place Date: Mon, 28 May 2007 21:26:10 -0500Fotofest does list the reviewers I think on their website but I haven't looked at it yet. Not sure what you mean by competitive: do you mean, competitive for photographers to get in, or that the reviews competewith each other? --shannon OK, I misspoke. The fotofest site tells you who their reviewers were LAST time, in 2006. And each reviewer says what she doesn't want to look at. Usually it's "traditional landscapes, architecture, nudes, and flowers." Ok, so what if I have a picture of myself in my flowergarden, with my shirt off? I guess that's verboten, huh? Maybe that'sthe way you're avant garde these days: you manage to put nudes,flowers, architecture, and landscape all in one picture!! Maybe a babyanimal for good measure. (Today I found two wild baby rabbits in my garden. I petted them.)So, do you get to pick your reviewers at events like this, or do you have to go to the ones that they assign to you? What is "traditional landscape" anyway?--shannon
_________________________________________________________________Make every IM count. Download Messenger and join the i?m Initiative now. It?s free. http://im.live.com/messenger/im/home/?source=TAGHM_MAY07
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- [pure-silver] Re: Fotofest meeting place
- From: Adrienne Moumin