[msb-alumni] Leonard Nimoy, Star Trek Legendary Spock, Dead at 83

  • From: Steve <pipeguy920@xxxxxxxxx>
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  • Date: Fri, 27 Feb 2015 12:28:40 -0500

BlankLeonard Nimoy, Spock of ‘Star Trek,’ Dies at 83
By VIRGINIA HEFFERNANFEB. 27, 2015

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The Man Who Was Spock
The Man Who Was Spock
Leonard Nimoy, best known for playing the character Spock in the Star Trek 
television shows and films, died at 83.

Video by Robin Lindsay on Publish Date February 27, 2015. Photo by Jerry 
Mosey/Associated Press.
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Leonard Nimoy, the sonorous, gaunt-faced actor who won a worshipful global 
following as Mr. Spock, the resolutely logical human-alien first officer of 
the Starship Enterprise in the television and movie juggernaut “Star Trek,” 
died on Friday morning at his home in the Bel Air section of Los Angeles. He 
was 83.

His wife, Susan Bay Nimoy, confirmed his death, saying the cause was 
end-stage chronic obstructive pulmonary disease.

Mr. Nimoy announced last year that he had the disease, which he attributed 
to years of smoking, a habit he had given up three decades earlier. He had 
been hospitalized earlier in the week.

His artistic pursuits — poetry, photography and music in addition to 
acting — ranged far beyond the United Federation of Planets, but it was as 
Mr. Spock that Mr. Nimoy became a folk hero, bringing to life one of the 
most indelible characters of the last half century: a cerebral, unflappable, 
pointy-eared Vulcan with a signature salute and blessing: “Live long and 
prosper” (from the Vulcan “Dif-tor heh smusma”).

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Slide Show|12 Photos
Leonard Nimoy Dies at 83
Leonard Nimoy Dies at 83
CreditNBC, via Photofest

Mr. Nimoy, who was teaching Method acting at his own studio when he was cast 
in the original “Star Trek” television series in the mid-1960s, relished 
playing outsiders, and he developed what he later admitted was a mystical 
identification with Spock, the lone alien on the starship’s bridge.

Yet he also acknowledged ambivalence about being tethered to the character, 
expressing it most plainly in the titles of two autobiographies: “I Am Not 
Spock,” published in 1977, and “I Am Spock,” published in 1995.

In the first, he wrote, “In Spock, I finally found the best of both worlds: 
to be widely accepted in public approval and yet be able to continue to play 
the insulated alien through the Vulcan character.”

“Star Trek,” which had its premiere on NBC on Sept. 8, 1966, made Mr. Nimoy 
a star. Gene Roddenberry, the creator of the franchise, called him “the 
conscience of ‘Star Trek’ ” — an often earnest, sometimes campy show that 
employed the distant future (as well as some primitive special effects by 
today’s standards) to take on social issues of the 1960s.

His stardom would endure. Though the series was canceled after three seasons 
because of low ratings, a cultlike following — the conference-holding, 
costume-wearing Trekkies, or Trekkers (the designation Mr. Nimoy 
preferred) — coalesced soon after “Star Trek” went into syndication.

The fans’ devotion only deepened when “Star Trek” was spun off into an 
animated show, various new series and an uneven parade of movies starring 
much of the original television cast, including — besides Mr. Nimoy — 
William Shatner (as Capt. James T. Kirk), DeForest Kelley (Dr. McCoy), 
George Takei (the helmsman, Sulu), James Doohan (the chief engineer, Scott), 
Nichelle Nichols (the chief communications officer, Uhura) and Walter Koenig 
(the navigator, Chekov).

When the director J. J. Abrams revived the “Star Trek” film franchise in 
2009, with an all-new cast — including Zachary Quinto as Spock — he included 
a cameo part for Mr. Nimoy, as an older version of the same character. Mr. 
Nimoy also appeared in the 2013 follow-up, “Star Trek Into Darkness.”

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His zeal to entertain and enlighten reached beyond “Star Trek” and crossed 
genres. He had a starring role in the dramatic television series “Mission: 
Impossible” and frequently performed onstage, notably as Tevye in “Fiddler 
on the Roof.” His poetry was voluminous, and he published books of his 
photography.

He also directed movies, including two from the “Star Trek” franchise, and 
television shows. And he made records, on which he sang pop songs, as well 
as original songs about “Star Trek,” and gave spoken-word performances — to 
the delight of his fans and the bewilderment of critics.

But all that was subsidiary to Mr. Spock, the most complex member of the 
Enterprise crew: both a colleague and a creature apart, who sometimes 
struggled with his warring racial halves.

In one of his most memorable “Star Trek” episodes, Mr. Nimoy tried to follow 
in the tradition of two actors he admired, Charles Laughton and Boris 
Karloff, who each played a monstrous character — Quasimodo and the 
Frankenstein monster — who is transformed by love.

In Episode 24, which was first shown on March 2, 1967, Mr. Spock is indeed 
transformed. Under the influence of aphrodisiacal spores he discovers on the 
planet Omicron Ceti III, he lets free his human side and announces his love 
for Leila Kalomi (Jill Ireland), a woman he had once known on Earth. In this 
episode, Mr. Nimoy brought to Spock’s metamorphosis not only warmth and 
compassion, but also a rarefied concept of alienation.

“I am what I am, Leila,” Mr. Spock declared. “And if there are self-made 
purgatories, then we all have to live in them. Mine can be no worse than 
someone else’s.”

Born in Boston on March 26, 1931, Leonard Simon Nimoy was the second son of 
Max and Dora Nimoy, Ukrainian immigrants and Orthodox Jews. His father 
worked as a barber.

From the age of 8, Leonard acted in local productions, winning parts at a 
community college, where he performed through his high school years. In 
1949, after taking a summer course at Boston College, he traveled to 
Hollywood, though it wasn’t until 1951 that he landed small parts in two 
movies, “Queen for a Day” and “Rhubarb.”

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Play Video|3:23
Nimoy Explains Origin of Vulcan Greeting
Nimoy Explains Origin of Vulcan Greeting
As part of the Yiddish Book Center Wexler Oral History Project, Leonard 
Nimoy explains the origin of the Vulcan hand signal used by Dr. Spock, his 
character in the Star Trek series.

Video by Yiddish Book Center on Publish Date February 27, 2015. Photo by 
Yiddish Book Center’s Wexler Oral History Project.
He continued to be cast in little-known movies, although he did presciently 
play an alien invader in a cult serial called “Zombies of the Stratosphere,” 
and in 1961 he had a minor role on an episode of “The Twilight Zone.” His 
first starring movie role came in 1952 with “Kid Monk Baroni,” in which he 
played a disfigured Italian street-gang leader who becomes a boxer.

Mr. Nimoy served in the Army for two years, rising to sergeant and spending 
18 months at Fort McPherson in Georgia, where he presided over shows for the 
Army’s Special Services branch. He also directed and starred as Stanley in 
the Atlanta Theater Guild’s production of “A Streetcar Named Desire” before 
receiving his final discharge in November 1955.

He then returned to California, where he worked as a soda jerk, movie usher 
and cabdriver while studying acting at the Pasadena Playhouse. He achieved 
wide visibility in the late 1950s and early 1960s on television shows like 
“Wagon Train,” “Rawhide” and “Perry Mason.” Then came “Star Trek.”

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Continue reading the main story Mr. Nimoy returned to college in his 40s and 
earned a master’s degree in Spanish from Antioch University Austin, an 
affiliate of Antioch College in Ohio, in 1978. Antioch College later awarded 
Mr. Nimoy an honorary doctorate.

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Mr. Nimoy directed two of the Star Trek movies, “Star Trek III: The Search 
for Spock” (1984) and “Star Trek IV: The Voyage Home” (1986), which he 
helped write. In 1991, the same year that he resurrected Mr. Spock on two 
episodes of “Star Trek: The Next Generation,” Mr. Nimoy was also the 
executive producer and a writer of the movie “Star Trek VI: The Undiscovered 
Country.”

He then directed the hugely successful comedy “Three Men and a Baby” (1987), 
a far cry from his science-fiction work, and appeared in made-for-television 
movies. He received an Emmy nomination for the 1982 movie “A Woman Called 
Golda,” in which he portrayed the husband of Golda Meir, the prime minister 
of Israel, who was played by Ingrid Bergman. It was the fourth Emmy 
nomination of his career — the other three were for his “Star Trek” work — 
although he never won.

Mr. Nimoy’s marriage to the actress Sandi Zober ended in divorce. Besides 
his wife, he is survived by his children, Adam and Julie Nimoy; a stepson, 
Aaron Bay Schuck; and six grandchildren; one great-grandchild, and an older 
brother, Melvin.

Though his speaking voice was among his chief assets as an actor, the 
critical consensus was that his music was mortifying. Mr. Nimoy, however, 
was undaunted, and his fans seemed to enjoy the camp of his covers of songs 
like “If I Had a Hammer.” (His first album was called “Leonard Nimoy 
Presents Mr. Spock’s Music From Outer Space.”)

From 1995 to 2003, Mr. Nimoy narrated the “Ancient Mysteries” series on the 
History Channel. He also appeared in commercials, including two with Mr. 
Shatner for Priceline.com. He provided the voice for animated characters in 
“Transformers: The Movie,” in 1986, and “The Pagemaster,” in 1994.

In 2001 he voiced the king of Atlantis in the Disney animated movie 
“Atlantis: The Lost Empire,” and in 2005 he furnished voice-overs for the 
computer game Civilization IV. More recently, he had a recurring role on the 
science-fiction series “Fringe” and was heard, as the voice of Spock, in an 
episode of the hit sitcom “The Big Bang Theory.”

Mr. Nimoy was an active supporter of the arts as well. The Thalia, a 
venerable movie theater on the Upper West Side of Manhattan, now a multi-use 
hall that is part of Symphony Space, was renamed the Leonard Nimoy Thalia in 
2002.

He also found his voice as a writer. Besides his autobiographies, he 
published “A Lifetime of Love: Poems on the Passages of Life” in 2002. 
Typical of Mr. Nimoy’s simple free verse are these lines: “In my heart/Is 
the seed of the tree/Which will be me.”

In later years, he rediscovered his Jewish heritage, and in 1991 he produced 
and starred in “Never Forget,” a television movie based on the story of a 
Holocaust survivor who sued a neo-Nazi organization of Holocaust deniers.

In 2002, having illustrated his books of poetry with his photographs, Mr. 
Nimoy published “Shekhina,” a book devoted to photography with a Jewish 
theme, that of the feminine aspect of God. His black-and-white photographs 
of nude and seminude women struck some Orthodox Jewish leaders as heretical, 
but Mr. Nimoy asserted that his work was consistent with the teaching of the 
kabbalah.

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His religious upbringing also influenced the characterization of Spock. The 
character’s split-fingered salute, he often explained, had been his idea: He 
based it on the kohanic blessing, a manual approximation of the Hebrew 
letter shin, which is the first letter in Shaddai, one of the Hebrew names 
for God.

“To this day, I sense Vulcan speech patterns, Vulcan social attitudes and 
even Vulcan patterns of logic and emotional suppression in my behavior,” Mr. 
Nimoy wrote years after the original series ended.

But that wasn’t such a bad thing, he discovered. “Given the choice,” he 
wrote, “if I had to be someone else, I would be Spock.”

Daniel E. Slotnik and Peter Keepnews contributed reporting.


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