[macvoiceover] Re: Fonts in Accessible Design

  • From: Greg Kearney <gkearney@xxxxxxxxx>
  • To: General discussions on all topics relating to the use of Mac OS X by the blind <discuss@xxxxxxxxxxxxxxxxxx>
  • Date: Sat, 22 Mar 2008 09:12:49 -0600

Thank you for your note. I will make note of your comments in the page.

As to which fonts to use for dyslexics I find the comments of British Dyslexia Association odd and at odds with both my personal experience as a profound dyslexic and that Landmark School the leading U.S. based institution for dyslexics as well as my formal training in graphic design. I do not understand how they can suggest that letter forms which are distinguished by orientation alone are going to be easier for a dyslexic, whose disability, at least in part, centers on difficulty in processing orientation of objects in space, than letter forms which have other visual cues such as serifs.

Further it is a long held typographic principle that body copy of books and similar material should be set in serif type to aid readability. To prove this to your self go to a library or bookstore and attempt to find a book not set in a seriffed face. As a student of typography I was taught that sans-serif faces were for signs, captions and short papers such as websites but for body copy such as books magazines and newspapers serifs help the normal sighted reader by making the word's shape stand out relative to the others. One research paper, http://dx.doi.org/10.1016/j.visres.2005.06.013 would hardly vacate 500 years of typographic practice.

That said one should always avoid setting body in extreme typefaces of either design as such would be unreadable by the disabled or the sighted. The recent trend in "grunge typography" is an example of typeface design that hinders rather than enhances communication in my opinion. What ever your opinion of "grunge typography" might be I think we can all agree that it would be a poor choice when dealing with materials that must be viewed by persons with low vision or dyslexia.

As to the legal issue surrounding the use of the @font-face they are well taken and I will make note of them. Interesting, isn't it how Apple always seems to get out in front of the law on things like this? Given that my pages deal with issues of design and accessibility I will continue to use it in this context but you bring up a good point use of the @font-face exposed the font to download as anyone could simply read the CSS to extract the full URL to the font itself. I have added a caution to the page on this.

Greg Kearney
535 S. Jackson St.
Casper, Wyoming 82601
307-224-4022
gkearney@xxxxxxxxx

On Mar 22, 2008, at 4:20 AM, Benjamin Hawkes-Lewis wrote:
Greg Kearney wrote:
Another page on accessible web design this one dealing with the use of fonts. http://www.cucat.org/projects/navigation/fonts/

Another good article Greg, to which I'd like to add a couple comments.

The article makes some specific claims about the advantages of serif over non-serif typefaces. As far as I can tell, this is a much more contentious topic than the article would suggest. The article states that "Dyslexic users on the other hand need serif type to help them distinguish letter forms." Is there research that backs up this claim? Some other published advice disagrees:

http://www.bdadyslexia.org.uk/extra352.html

Again the article states that "Readers with no disability also benefit from serifs as they read whole word shapes and serifs tend to accentuate that feature of the word." Is this really true? Some research seems to suggest otherwise:

http://dx.doi.org/10.1016/j.visres.2005.06.013

The other comment was that, IANAL, but there are legal pitfalls to @font-face as a potential solution for rendering content in specialist fonts designed for low-vision users. It's only useful if you have a licence that allows you to redistribute the font. Many of the fonts in question have licences that exclude such redistribution. For example, the licencing for Terminal Design's fonts, apparently including ClearviewADA, seems to exclude redistribution:

http://www.terminaldesign.com/licensing/

The same is likely to be true for all fonts that are sold. APHont seems to be free as in beer, but it's not really clear if we are allowed to redistribute it. To download it in the first place, you are required to certify it will be used for low-vision users, which would seem to militate against free redistribution.

--
Benjamin Hawkes-Lewis




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