Yes, I think Atget is the better craftsman, but there is, paradoxically, to my eyes, more intense life and more spaciousness in Cartier-Bresson, and the range of his subjects was wider (Algiers, Moscow, China, e.g.), while Atget was mostly limited to late 19th and early 20th century Paris and its environs. He used a large plate camera and his made contact prints from the negatives (many of his plates were purchased and printed by Berenice Abbott in the 1950s). Cartier-Bresson worked (exclusively, as far as I know) in 35mm, and freed photography from the salon forever. No longer was it the stepchild of painting. But we don't have to choose. They were both giants. Robert Paul Reed College ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html