Oddly enough (I had some time on my hands reinstalling Windows XP to run under Parallels on my Intel Mac mini), I picked up my copy of Kirk Varnedoe, _Pictures of Nothing:Abstract Art Since Pollock_ (bought after Ruth's and my visit to the Phillips Collection in Washington, D.C., where we were blown away by the Rothko Room). Anyway, on page 8, the author proclaims, "What we want to do is cut through the gas and grab the ideas that flow out of and drive us back toward such confusing, gritting particulars of experience, rather than the ideas that constantly and confidently blend such things into soupy generalities." The reference is to the stripes in Frank Stella's "The Marriage of Reason and Squalor," often cited as an example of the "mechanical exactitude" of Stella's art. On closer examination (the book provides a closeup), they force us to "think again about the beautiful, delicate breathing space in these stripes, the incredible feathered edge of the touch of the picture, and the dark, espresso ground." The close-up reveals that the stripes are highly irregular, made up of white and dark spots where the brush did or did not touch the canvas. I think of how often what we call theories "constantly and confidently blend such things into soupy generalities." I recall Levi-Strauss' image for structuralist analysis, stars forming in the center of a galaxy whose primordial soup fades into infinity. I wonder what our lives, our politics, our theories would be like if we took this image seriously in our journeys in search of knowledge. John -- John McCreery The Word Works, Ltd., Yokohama, JAPAN Tel. +81-45-314-9324 http://www.wordworks.jp/ ------------------------------------------------------------------ To change your Lit-Ideas settings (subscribe/unsub, vacation on/off, digest on/off), visit www.andreas.com/faq-lit-ideas.html