Posting RFP now to FB, Artnews, Artlanta, C4, Flux and various individuals. Please spread the word. Here's the edited text. If you want to send it, please do! My suggestion about jurying is that whoever can and wants to convene on Saturday, August 2, at a mutally agreed-upon time after reading through the proposals as sent to the Google Form I will post, and we curate it as a group. In my opinion, folks who have been active on Art Comm, the board, music, lit, ex-oficio, pretty much all interested parties who don't have a vested interest in any of the projects, are capable of coming to an agreement about what 5-10 projects to put together. criteria should include diversity of media, diversity of location within the building, quality, and originality. If the curatorial panel would like, one of us could put together a rating sheet and assign point values. The password for the Gmail account is Forsyth88. Ta-Ta For Now. xo p 404-578-4430 eyedrum art and music gallery Request for Proposals Eyedrum Art and Music Gallery, announces a request for proposals for "Existing Conditions." To inaugurate its new home on Forsyth Street, Eyedrum invites artists to submit proposals to create work in any medium, including performance, in response to the current conditions of this 101-year-old building in Downtown Atlanta. The concept is for artists to take an aspect or element(s) of the facility--a crack in the wall; an old poster; a cluttered room--and create a new way of looking at it. A proposal may be as simple as lighting an element or as complex as creating an assemblage of found objects. Artists with existing works that could be installed in this context to create new ways of looking at that piece and its surroundings are welcome, as are literary, musical, durational, movement, and performance works. There is limited access to power and water. While artists may manipulate and change the environment, the emphasis is on creating a context for examining what is there: the Existing Conditions. An unexpected and generous gift has made this event possible. The time line for its creation is very compressed: 1. Artists who wish to make a proposal should tour the building, by appointment July 28-31. Staff will be available to show the space during daylight and evening hours those days. 2. A one-page description of the work to be created with whatever support material the artist thins will best represent the proposal (sketches, URL or website showing previous work, etc.) should be emailed and received by August 2 at 8:00 a.m. The proposal should specify the exact site he or she wishes to engage. 3. Work should be titled. 4. A jury will convene August 2 to select 5-8 artists. Artists will be notified that day. 5. Participating artists will be awarded up to $500 to cover supplies and honorarium. 6. The exhibition will open Friday, August 15. Depending on the nature of the selections as a whole, docents or guides will conduct patrons on a tour of the show or be present at all times for safety reasons. 7. Artist teams are welcome to propose, but the budget is limited to $500 per work. 8. The exhibition will be open for one weekend only: August 15 - 6 p.m. - midnight August 16 - 6 p.m. - midnight August 17 - 3-9 p.m. Artists will need to de-install by August 19 at midnight. Be advised: many parts of the building are in rough shape. It has been largely uninhabited for many years and former tenants left a lot of . . . stuff behind. Artists and audience members will be asked to sign a waiver of liability (although every precaution will be taken to make this safe for all, including artists) but part of what this event is about is witnessing decay, neglect, and abandonment. For an appointment, please submit 3 options for one-hour time slots to: EyedrumExistingConditions@xxxxxxxxx Questions may be submitted to EyedrumExistingConditions. After taking a tour, artists will be directed to an online form where they may complete their submission. A Facebook group will be established to create a public forum. We look forward to reading your ideas and welcome your participation.