realman10@xxxxxxxxx wrote:
In the end I believe it's an aesthetic judgment as I like to have slightly warmer low and mid-tones on B&W, but hate to tamper with empirical workarounds.
"Creative" changes to the rendering really lie outside the scope of what Argyll currently does (with the possible exception of applying an abstract profile).
As for your question ("explain what it does") I will quote Monaco's explanation here: "Paper Color Control. This feature compensates for paper color tints which can affect the overall color balance of the profile. A slider position of 0 (default) preserves the gray axis relative to the paper color. As the slider value increases, the gray axis is rendered more Colorimetrically neutral. These effects will be most obvious along neutral axis and highlight areas while the paper white will remain unchanged".
Sorry, but I can make no sense of this. Assuming that you are talking about the results of gamut mapping in the relative colorimetric intent or saturation tables, then as far I can see, "gray axis relative to the paper color" and "Colorimetrically neutral" are one and the same thing, since "Colorimetric neutral" can only mean "relative colorimetric" (since neutrality depends on the adaptation of the observer), and the paper color is used as the assumed observer adaptation white point. So some clearer technical explanation of what it does is needed. Graeme Gill.