It is the ink limit that is causing the cavities in your dark gamut. If you consider the Red Green and Blue points on the gamut, they are 100% of two colors, totaling 200%, which is your ink limit. To get darker, especially in a high GCR setup, the addition of black requires the reduction of the primaries (10K 95C 95M, 20K 90C 90M, 50K 75C 75M, 100K 50C 50M all to maintain the 200% ink limit) Is the 200% ink limit necessary to avoid ink puddles or making the paper wavy? I would suggest you find a setting in your driver that reduces the individual ink output so you can use a higher ink limit, or just try a higher ink limit with your current settings if you can. Bret On 6/25/09 2:19 PM, "Nikolay Pokhilchenko" <nikolay_po@xxxxxxx> wrote: > Hello all! > > I have an inkjet printer with pigment inks. My aim is the printing on plain > paper with the determined ink limit of 200 percent. > The problem is in resulting print gamut: the gamut have three cavities on his > low sides, so the Argyll gamut mapping algorithm warps the highly saturated > gradients. > Please, take a look at my *.ti3 attached. Wile both perceptual or relative > mappings, the dark saturated areas gradients are highly jugged, right up to > inversion of lightness on gradients. > I have try the different black generations: "-kp 0 0.14 1 1 1.29 -l200 -L100" > and "-kx -l200 -L100", but the gamut problem, of course, still persist. I've > try the different profile quality settings - even "-qu", but while -qu mode > the bands on gradients are more narrow but still unacceptable.