blog: http://languagegoesonholiday.blogspot.com/ article: http://languagegoesonholiday.blogspot.com/2011/06/lets-start-at-very-beginning-very-good.html ________________________________ Let's start at the very beginning, a very good place to start Posted: 30 Jun 2011 06:17 AM PDT Richard Joyce's The Myth of Morality consists roughly of three parts, each of roughly three chapters. In the first part he argues that morality involves an error, namely the belief that there are things one must not do, regardless of one's desires or interests. In the second part he explores the relation between morality and rationality, as well as the evolution of morality (and how we probably came to have the false beliefs we know as moral). In the third (which I haven't read yet) he argues for fictionalism, the belief that moral beliefs are useful, and therefore should be kept, even though they are false. It's all a bit like Kant on religion, a bit like Anscombe on the moral 'ought', and a bit like early analytic philosophy (in relating ethics to literature), which makes it interesting to me, but it also seems badly wrong. So I want to investigate. Yesterday I posted more or less random thoughts on chapter 2, which turned out not to be the best way to begin. Today's post will probably still be a bit random, but at least it will have the organizational virtue of beginning at the beginning. To the preface. Moral discourse, Joyce says in the second sentence of the preface, is "fundamentally flawed." It is, he thinks, like talk about phlogiston or witches. He goes on, on the next page, to say that: The whole point of a moral discourse is to evaluate actions and persons with a particular force, and it is exactly this notion of force which turns out to be so deeply troublesome.Maybe it's this notion of moral discourse that leads to all the problems, but I'll try not to jump to too many conclusions. Alice Crary might have something to say about this conception of morality, though. Fictionalism, he continues, involves using the discourse in question (in this case, moral discourse) but neither asserting nor believing its propositions. (I sense the need for Frege-style judgment-strokes and content-strokes.) The fictionalist uses moral language in something like the way that a story-teller uses sentences that she knows to be untrue (see Frege on Odysseus). It is also, he says, like the use that the Dorze of Ethiopia make of the idea that leopards are Christian animals and observe the fast days of the Ethiopian Orthodox Church (information that Joyce got from Dan Sperber's work, apparently). That is, they say they believe this, but they still protect their animals just as much on fast days as on any other day when leopards might threaten them. So they don't believe it in a naive way. Since this is just the preface I'm talking about I'll offer impressions rather than conclusions. But my impression is: so close and yet so far. Fascinating though.