I got the impression the original idea was that anyone could contribute a part
if they wanted, so various final mixes might be possible. I believe Clive would
like electric 12-string ideally on Stroke of Love. I have an acoustic 12-string
and a 6-string Line6 Variax that electronically simulates 12-string, which is
what I would probably use. If you happened to have a real electric 12-string,
Steve, that would probably be better still, but we could both do a version and
so could anyone else on the list who wanted to, I think.
Cheers,
Dave
-----Original Message-----
From: vibe-bounce@xxxxxxxxxxxxx [mailto:vibe-bounce@xxxxxxxxxxxxx] On Behalf Of ;
Steve Hyde-Dryden (Redacted sender "Stevehdryden" for DMARC)
Sent: 28 June 2020 16:03
To: vibe@xxxxxxxxxxxxx
Subject: [vibe] Re: Recording and mixing a new project
Hi Peter, Clive & All,
OK, so, I'd like some clarification, if poss, on who will play what in these
projects? Is someone going to make that decision? Or, shall the relevant
musicians for a particular instrument volunteer?
As for a tambourine on Johns new drum track, are you able, easily enough, John
to add them in to the track you've already done? Or, would it sound any better
to redo it?
Cheers all.
Steve
-----Original Message-----
From: vibe-bounce@xxxxxxxxxxxxx <vibe-bounce@xxxxxxxxxxxxx> On Behalf Of Peter
Bosher
Sent: 26 June 2020 15:46
To: vibe@xxxxxxxxxxxxx; John Ramm <john@xxxxxxxxxxxx>
Subject: [vibe] Re: Recording and mixing a new project
Hi John and All,
That's great. The only caveat is that I think, at least for the bass part, and
maybe for some others, you need to have the new drums to play to. That's why I
suggested making a new guide track with the drums. If I have a chance I'll make
that in the next few days and let you know.
Then others can record parts as John suggests. Steve, are you happy to play
bass?
Best,
Peter
On 26/06/2020 11:39, John Ramm wrote:
Hi all, I thought I'd change the subject line as this has little to do
with Dropbox folders.
Thanks for the kind words about the drum track.
Clive, I'm happy to add some tamberene and just as happy to listen to
what people think once I've done so.
Re: recording and mixing: I'd be very happy to have a go at the mixing
project when we have all the individual parts recorded. Another thing
we could do, once everything is recorded, is throw the opportunity to
mix open to the RWP list or even other VI lists as we'll just have a
bunch of wav files that anyone could import to any DAW, I think.
From the point of view of managing the recording process, It would be
helpful to have a list of who is going to do what on the track
So, if you want to record a part please do so and put it into the
parts folder clearly labelled. I can then import all the parts into
what we might call the master copy and mix them together. Any hints,
suggestions or orders will be welcome and without them you'll get my
mix which you may love or hate.
Without teaching you wonderful people things you know already, please
make sure the your part is separate from the old guide track so that I
can bring it into the new project on it's own.
That's enough for now.
Hope that helps, John
At 18:30 25/06/2020, you wrote:
So Peter, are you saying then that we use a partly completed tract
to, for want of a better expression, capture our individual tracks
which we will record separately and send you. You then will be
creating a built up track to allow the next person to add to, again
though, with them recording their own bit separately until the last
part is recorded at which point, you will bring all the individual
tracks together and mix them to create the final project? Have I got
that right?
As to Clives track, yes, no problem. I've had a few goes at
practicing it. Clive, are you wanting it pretty prescriptive? Or,
are you open to a little improvisation? Within reason of course?
Steve
-----Original Message-----
From: vibe-bounce@xxxxxxxxxxxxx <vibe-bounce@xxxxxxxxxxxxx> On Behalf
Of Peter Bosher
Sent: 25 June 2020 16:40
To: vibe@xxxxxxxxxxxxx
Subject: [vibe] Re: Dropbox folders
Hi All,
Lovely drum track John. Re putting Humpty Dumpty together again, two
thoughts:
If someone is particularly keen on doing this mix and uses Reaper
already, then it could be shared as a Reaper project
If nobody pipes up, then I'll start the ball rolling. I don't use
Reaper, so the way I'd do it is to use the demo as a guide track, and
add the drum part. That then becomes the next guide track for the
bass part. Steve HD, would you like to volunteer for that? I'd then
add that to the mix ready for the next part. Each temporary guide
track mix would be a new .wav file, and I'd have the mix building up
in my DAW, still with separate parts, until complete. I wonder how
clear that is. I can't promise a quick turn-around, shall do my best,
but as I say if anyone else is keen to take this one on then please say.
Best,
Peter
On 24/06/2020 21:52, Steve Hyde-Dryden (Redacted sender Stevehdryden
for
DMARC) wrote:
Hey John,real kit!
Great drum track. Sounds really good. Absolutely nothing beats a
produced one.
So, I presume everyone, if we add anything to this track, we're
going to create a separate track sincronised with the drum track.
And then, someone is going to put it all together? Who is going to
build up humpty dumpty then? Smiles
Steve
-----Original Message-----
From: vibe-bounce@xxxxxxxxxxxxx <vibe-bounce@xxxxxxxxxxxxx> On
Behalf Of John Ramm
Sent: 24 June 2020 15:51
To: vibe@xxxxxxxxxxxxx
Subject: [vibe] Re: Dropbox folders
Sorry, I forgot to mention that I put the file in the Parts folder,
which seemed to make sense to me. It's the only file there at
present and the name should be self explanatory. J
At 22:46 22/06/2020, you wrote:
Hello all,
I'm sure I have heard tell of more items being loaded into Dropbox
than I can find? Steve HD, did you put a second track into DB -
not the backing track known as Junk Rock, but a second one you
were suggesting we might have a go at recording, after the Richard
Ashcroft? John, should I have found your drum track for my song
'Stroke Of Love' yet? I seem to remember you saying you had
Thanks,
Clive
.
.
