Le 22/03/2013 12:06, John Wild a écrit :
Without stealing his thunder, Emmanuel Bigler has said that CR-200, now marketed by Maco, has its origins is a colour slide film designed for aerial use - Agfa Aviphot. The yellow cast is required to compensate for UV at high altitude. Emmanuel says that he uses a Wratten 82A to compensate but thinks a 82B may do a better job when used at ground level. John
Thunder, taking of course into account that thunder light colour balance can be something like 8,500 K ;-) http://www.hid-lights.com/products/halogen-bulb/8500k/GP-2009/GP85.htm And yes John, this is what I thought, a "normal" built-in yellow filter for a very special purpose, and this is also Richard Knoppow's idea. Unfortunately the tech-doc pointed by Maco to Agfa Aviphot Chrome specifies : "colour balance 5500K." But may be in Belgium, located quite far North of the 45-th parallel (Montreal and Bordeaux, share the same latitude or 45°N, but with a VERY different climate), Belgian Kelvins might not exacly be the same Kelvins I'm experiencing in daylight in Franche-Comté ;-) So I do not know what happens, it can be the wrong documentation, or another kind of film designed for higher altitudes or any other reason. Now that I have noticed, is that all my stock CR-200 films both in 135 and 120 exposed and processed so far, exhibit the same colour cast, and since I have (more or less) found a correcting filter 82A or 82B, I'll quietly finish those few rolls with the blueish filter in place. -- Emmanuel --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx- Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org
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