[rollei_list] Re: Rolleinar 3 poll

  • From: Robert Meier <robertmeier@xxxxxxxxx>
  • To: rollei_list@xxxxxxxxxxxxx
  • Date: Sat, 06 Mar 2010 10:12:45 -0600 (CST)

Carlos,  Where can one get the Rollei Club magazine?   Robert

On Mar 6, 2010, at 9:08 AM, CarlosMFreaza wrote:

Eric:
       And then use your Koni-Omegaflex for the purpose, I only could
say I became impressed by the printed full page yellow rose image
quality in the Rollei Club magazin (page 27), taken camera handheld
and with the 2.8GX Planar Rolleinar 3 combo, Fujichrome 400X film (I
used this film several times, it almost does not have grain for an ISO
400 film). This image was printed with an improved printing quality
regarding previous numbers but it still does not have the best
printing quality, double merit for the photograph.

Carlos

2010/3/6 Eric Goldstein <egoldste@xxxxxxxxx>:
Hi Carlos -

If I go this route, my Koni-Omegaflex is a better choice. It uses
extension tubes instead of diopters, a GG that is more accurately
positioned in the film channel than most, and a couple of nice
magnifying hoods which greatly help in viewing. I get better
flexibility and performance and on 67.


Eric Goldstein

--

On Sat, Mar 6, 2010 at 8:50 AM, CarlosMFreaza <cmfreaza@xxxxxxxxx> wrote:
If you use the film sheet adapter is not a serious problem, BTW it
requires a tripod and to use film sheet (I still have several Efke 25
sheets), you can use the GG insert to frame the picture and the GG
viewfinder for fine focusing, the film plane GG could be difficult to use for it if the external light is strong, you'd need a black fabric
to watch the film plane GG for fine focusing.

I have seen a beautiful yellow rose photograph taken camera handheld
with the 2.8 GX and a Rolleinar 3 in the last Rollei Club magazin, the focusing distance is so short that you could calculate the difference
for viewing and taking lens in your mind with a bit of practice, the
viewing lens Heidosmat- Rolleipar helps.

Carlos

2010/3/6 Eric Goldstein <egoldste@xxxxxxxxx>:
I have found the difference in perspective significant with a #2. Your
suggestion to compose on a GG is a good if cumbersome solution.
Repositioning the taking lens into the viewing lens position is
equally a PIA...


Eric Goldstein

--

On Fri, Mar 5, 2010 at 11:41 PM, Mark Rabiner <mark@xxxxxxxxxxxxxxxx> wrote:
Hi Carlos, I have the bay111 #3. As well as the 1 and 2. When you are focusing that close, the perspective difference between taking lens and viewing lens is significant. It is a good reason to use the sheet film back so that you can see what the taking lens is seeing. Otherwise you just must keep in mind the difference and move your point of view a little higher than
it seems in the camera.
This is a portrait taken with the number 3:
http://dennispurdy.com/Portraits/Jake%20with%20smile.html

Dennis
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