[rollei_list] Re: Rolleiflex Appreciation
- From: "Eric Goldstein" <egoldste@xxxxxxxxx>
- To: rollei_list@xxxxxxxxxxxxx
- Date: Tue, 22 Apr 2008 22:02:35 -0400
Mark -
Not unless the Italian person speaks French. Here is a google translation:
The end of the illustration?
By Benjamin Martin-Tardivat Wednesday, January 23, 2008, 23:57
It Tazio Secchiaroli, born in Rome in early 1950, ambiguous mixture,
equal Arsene Lupin, it embodies the kind photographic sulphur, the
paparazzo.
(c) Tazio Secchiaroli
With Lambretta, Rolleiflex and flash Braun, it revolutionized
photography press and the press itself, pursuing the stars and members
of the SOCIETY "JET", "PEOPLE" but almost.
Photographs stolen… At first glance, meaningless. To give them, and
give them a market value, they mate with stories where action
Similarly, the fact of flashing people who are quick to defend itself,
is the story. This is not record a scene which would be the witness,
but to provoke altercations "false", "movement and scandal".
(c) Tazio Secchiaroli
After the shooting of LA DOLCE VITA, where Fellini, who borrowed
several episodes with accounts of Tazio Secchiaroli, finally fixed the
myth of the Via Veneto and the character of the paparazzo, it leaves
the street and enters another myth of the Rome 50-60 years: the
glorious CINECITTA studios, where he became a photographer plateau.
He also served for twenty years the photographer of record of Sophia
Loren, with whom he imagines false paparazzi scenes to feed the press
that the actress retains its tranquillity…
(c) Tazio Secchiaroli
Eric Goldstein
--
On 4/22/08, Mark Rabiner <mark@xxxxxxxxxxxxxxxx> wrote:
> Maybe an Italian person can tell us what this is all about
>
> http://www.martintardivat.net/post/2008/01/17/LA-FIN-DE-LILLUSTRATION-PHOTOG
> RAPHIQUE-2
> Or
> http://tinyurl.com/694bqo
>
>
>
>
> Mark William Rabiner
> markrabiner.com
>
>
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