[rollei_list] Re: Planar vs. Planar

  • From: "Richard Knoppow" <dickburk@xxxxxxxxxxxxx>
  • To: <rollei_list@xxxxxxxxxxxxx>
  • Date: Wed, 3 Mar 2010 06:14:40 -0800


----- Original Message ----- From: "Elias_Roustom" <elroustom@xxxxxxxxx>
To: <rollei_list@xxxxxxxxxxxxx>
Sent: Wednesday, March 03, 2010 5:39 AM
Subject: [rollei_list] Planar vs. Planar


Maybe today, maybe tomorrow, my 3.5F should be in my hands after several weeks in hospital.

What are noteworthy differences between the 2.8C Planar and the 3.5F Planar that I should look forward to?

Elias

If you are referring to the lenses alone they are really two different lenses with the same name. The Planar on the 2.8C is a five element lens of a type originated by C.G.Wynne of Wray in England. Wynne found that he could elminate one of the elements in a classical Planar by combining powers of two of the elements. The Wynne lens works well up to about f/2.8 although Wynne made a more complex version for higher speeds. The Planar in the 3.5F Rollei is a classic six element lens. Why both Zeiss and Schneider switched from the five element to the six element version is open to question. My own guess is that there was some economic advantage in it although on first examination it should have been the other way around. Cemented surfaces require several extra steps which make them more expensive to make. The Zeiss f/2.8 Planar is a more difficult lens to build than the Schneider Xenotar. The Planar has the cemented component in the front. The front element is very thin and steeply curved so it must have been difficult to make and the cemented surface would have called for great care to avoid distortion of the thin glass. The Xenotar, on the other hand, has the cemented component inside with a nearly plane cemented surface. The computer analysis of the two based on patent data shows the Planar to be very slightly better corrected than the Xenotar despite the Xenotar having the reputation for being the sharper of the two. The six element lens has a long history. The original design came from Paul Rudolph of Zeiss, the inventor of the Tessar. Rudolph based his lens on an earlier type sometimes called a double-Gauss lens because it was a symmetrical arrangement of the two element lens invented by Carl Friedrich Gauss for use as a telescope objective. This lens has excellent color correction but tends to have a large amount of spherical aberration. Rudolph found that by making the inner elements very thick he could cure the spherical. He also split them using a cemented surface to obtain the effect of an unavailable glass type for improving chromatic correction. Rudolph's lens was called a Planar because it had an unusually flat field. However, its symmetry caused problems with correction of distant objects. The original lens was developed further as an unsymmetrical lens by Horace Lee of Taylor, Taylor, and Hobson. Lee's lens was called the Opic and is really the prototype of all of the six and more element lenses used in 35mm and other cameras. The same idea was later used by Willie Merte of Zeiss in the well known Biotar. Essentially the lens in the f/3.5 Rollei is an Optic/Biotar type lens. These lenses can be corrected well to about f/2 so its just idling at f/3.5. Probably the choice of the Wynn lens for the f/2.8 came partly from its lighter weight. That would not be so much of an issue with the slower lens in the f/3.5 but its also a puzzle that Rollei began with five element f/3.5 lenses and then went to the more complex one. It should have been the other way around because it is the faster lens which would need the extra degrees of freedom for correction. The reason was definitely not to filter UV out or anything of the sort. The elements in the sixe element lens are all working and none is a filter. beside, UV filtering, if desired, is acomplished by the limited spectral transmission of some optical glasses and also by the choice of cements, some of which are excellent UV filters. In fact, its rathter more difficult to make a lens with good UV transmission than otherwise. Now to cut to the chase, I doubt if there is much to choose between the two designs, as there isn't much difference between the Planar and Xenotar in practice. All of these lenses are very highly corrected and capable of very sharp reproduction with excellent color correction.

--
Richard Knoppow
Los Angeles, CA, USA
dickburk@xxxxxxxxxxxxx
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