Two things... historically there has always been a great confusion between the ability to operate the equipment and the ability to produce inspired or artistic or worthwhile output with it. This has been true every time a technology becomes available and afford to the mass audience and is no longer the exclusive purview of the craftsman/artist, including George Eastman's introduction of the film camera to the common man... Second, one of my major objections to digital anything is the lack of archival characteristics and a general lack of awareness of the temporal nature of digital storage and giclee output. The first photograph ever made (by Niépce) survives still, and the original recordings made by Edison do as well. Digital recording media, on the other hand, cannot hope to meet any kind of archival standard for the foreseeable future... Eric Goldstein -- On 7/24/07, Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote: (snipped)
There are certainly many mediocre artists. Some of them have become mediocre Photoshop operators. However, the mediocracy is not in the medium. Even if a medium is technically very difficult to work that fact does not gurantee that someone who becomes proficient in its use will be talented as an artist and produce interesting or moving work. I believe that lack of technical skill or ability can interfere with an artist with genuine talent but the technical ability and the artistic talent are two different things. My only objection to digital or electronic photography is that it has limited the materials available for chemical photography, which I happen to enjoy doing and have spent most of my life learning how to do decently. As long as I can practice it I am fine with digital. I will add that IMO photomechanical reproduction has come leagues from the best quality available from conventional half-tone or other (lithographic for instance) reproduction. One has only to compare the best reproduction of, say, fifty years ago, to the modern stuff to be convinced. If you can find editions of _Fortune_ magazine from any time up to about the 1950's you will see color and B&W work that was about the best possible at the time. --- Richard Knoppow Los Angeles, CA, USA dickburk@xxxxxxxxxxxxx --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with 'unsubscribe' in the subject field OR by logging into www.freelists.org - Online, searchable archives are available at //www.freelists.org/archives/rollei_list
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