> I certainly agree. Dolby's idea of the split band > compander was not new, Bell Labs had used such a thing in > the past, but his method of applying it and ability to make > a practical system were unique. The Dolby system made > multiple track recording possible. I had a chance to talk to > Ray Dolby on a few occasions. He was an interesting guy and > very concerned with quality. If the company had a fault it > was a sort of wishful thinking. They just went into denial > about problems, especially those from the Dolby Stereo > system for motion pictures. All old news now. Ray's wife, > Dagmar, who used to help at conventions, was a knock out and > no fooling. > > --- > Richard Knoppow > Los Angeles, CA, USA > dickburk@xxxxxxxxxxxxx Commercial multichannel recordings were certainly made successfully before Dolby noise reduction, but the practical limit was about 4 to 8 channels before tape noise got too intrusive. Dolby noise reduction gave us mamoth multichannel recorders of up to 48 tracks possible, though it is not clear than that was a good thing on the whole. He also gave traditional two channel stereo masters and 3 channel M-S recordings much greater dynamic range. I had quite a bit of professional contact with Ray Dolby and he was both a brilliant man and an honorable one. He cared deeply about the integrity and functionality of his products and quality and support always came first. He was not a great executive or businessman, but generally his ideas were so goods it did not matter. Eric Goldstein