> > ----- Original Message ----- > From: "Carlos Manuel Freaza" <cmfreaza@xxxxxxxxxxxx> > To: <rollei_list@xxxxxxxxxxxxx> > Sent: Friday, September 25, 2009 12:49 PM > Subject: [rollei_list] Re: Capa's Cameras > > > Marc, this is part of the article quoting New York Times, > Life, US Army, etc.: > > Encounter with "LIFE" Photographers > One day in June 1950, David Douglas DUNCAN, a staff > photographer for "LIFE," Horace BRISTOL of "FORTUNE," and > MIKI, Jun who was actively working at "LIFE" as the only > Japanese contract photographer there, visited our Ohi Plant. > In reference to their visit, MIKI wrote an article entitled > "Nikkor and I" in the "Nikkor Club Quarterly magazine No. > 26" (issued on November 30, 1963), as follows : > > "...... > > Long piece snipped... > > I remember when I was about junior high age and > starting out drooling over the brand new Leica M and Nikon. > I was told then that the f/1.4 Nikor was an extremely sharp > lens and was being modified to fit the Leica. > When its stated that two lenses are "identical" it > implies that the writer has knowledge of the "prescriptions" > for both lenses. Its quite possible for one lens to be based > on another but not be identical. For one thing the glass > types may be different and the original design may have been > recaculated with somewhat different criteria. The Sonnar is > not a simple lens and, in general, the more complex a lens > is and the faster it is the more sensitive it becomes to > variations in its parameters. The f/1.4 Sonnar type made > Nikon's reputation, at least in the US. > The Sonnar design is intended to limit the amount of > flare from glass-air surfaces. It is essentially a Triplet > with only six surfaces. Once good anti-flare coating became > available the Sonnar design fell into disuse because better > performance could be gotten from other types, particularly > the "Biotar" type. Sonnars are also relatively shallow for a > given focal length which tends to reduce the amount of > mechanical vignetting at large apertures but similar > advantages can be had with other designs. It is also a > relatively difficult lens to make because of the number of > cemented surfaces and their relatively steep curvature. > > -- > Richard Knoppow > Los Angeles, CA, USA > dickburk@xxxxxxxxxxxxx > In the Hasselblad lens line the name "Sonnar" was prevalent The not so non recent 180 CFI Sonnar was said to be one of their best lenes. Or "is" maybe I cant tell what's going on over there with those guys. A big improvement over the 150 C Sonar I started out with and still have. Is this Sonnar in name only? What's in a name? Mark William Rabiner --- Rollei List - Post to rollei_list@xxxxxxxxxxxxx - Subscribe at rollei_list-request@xxxxxxxxxxxxx with 'subscribe' in the subject field OR by logging into www.freelists.org - Unsubscribe at rollei_list-request@xxxxxxxxxxxxx with 'unsubscribe' in the subject field OR by logging into www.freelists.org - Online, searchable archives are available at //www.freelists.org/archives/rollei_list