[rollei_list] Re: Capa's Cameras

  • From: Mark Rabiner <mark@xxxxxxxxxxxxxxxx>
  • To: <rollei_list@xxxxxxxxxxxxx>
  • Date: Fri, 25 Sep 2009 23:58:46 -0400

> 
> ----- Original Message -----
> From: "Carlos Manuel Freaza" <cmfreaza@xxxxxxxxxxxx>
> To: <rollei_list@xxxxxxxxxxxxx>
> Sent: Friday, September 25, 2009 12:49 PM
> Subject: [rollei_list] Re: Capa's Cameras
> 
> 
> Marc, this is part of the article quoting New York Times,
> Life, US Army, etc.:
> 
> Encounter with "LIFE" Photographers
> One day in June 1950, David Douglas DUNCAN, a staff
> photographer for "LIFE," Horace BRISTOL of "FORTUNE," and
> MIKI, Jun who was actively working at "LIFE" as the only
> Japanese contract photographer there, visited our Ohi Plant.
> In reference to their visit, MIKI wrote an article entitled
> "Nikkor and I" in the "Nikkor Club Quarterly magazine No.
> 26" (issued on November 30, 1963), as follows :
> 
> "......
> 
> Long piece snipped...
> 
>      I remember when I was about junior high age and
> starting out drooling over the brand new Leica M and Nikon.
> I was told then that the f/1.4 Nikor was an extremely sharp
> lens and was being modified to fit the Leica.
>      When its stated that two lenses are "identical" it
> implies that the writer has knowledge of the "prescriptions"
> for both lenses. Its quite possible for one lens to be based
> on another but not be identical. For one thing the glass
> types may be different and the original design may have been
> recaculated with somewhat different criteria. The Sonnar is
> not a simple lens and, in general, the more complex a lens
> is and the faster it is the more sensitive it becomes to
> variations in its parameters. The f/1.4 Sonnar type made
> Nikon's reputation, at least in the US.
>     The Sonnar design is intended to limit the amount of
> flare from glass-air surfaces. It is essentially a Triplet
> with only six surfaces. Once good anti-flare coating became
> available the Sonnar design fell into disuse because better
> performance could be gotten from other types, particularly
> the "Biotar" type. Sonnars are also relatively shallow for a
> given focal length which tends to reduce the amount of
> mechanical vignetting at large apertures but similar
> advantages can be had with other designs. It is also a
> relatively difficult lens to make because of the number of
> cemented surfaces and their relatively steep curvature.
> 
> --
> Richard Knoppow
> Los Angeles, CA, USA
> dickburk@xxxxxxxxxxxxx
> 


In the Hasselblad lens line the name "Sonnar" was prevalent
The not so non recent 180 CFI Sonnar was said to be one of their best lenes.
Or "is" maybe I cant tell what's going on over there with those guys.
A big improvement over the 150 C Sonar I started out with and still have.
Is this Sonnar in name only?
What's in a name?

Mark William Rabiner



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