[rollei_list] Re: Bob Shell address
- From: Bob Haight <rhaightjr@xxxxxxxxx>
- To: rollei_list@xxxxxxxxxxxxx
- Date: Wed, 23 Apr 2008 12:10:38 -0700 (PDT)
The last word I saw was Bob was transported back to the New River Valley
Regional Jail. They have a web site for contact infomation but not an imate
search link. If he has been placed in the general prison system perhaps New
River can give you the address.
Bob Haight
--- On Wed, 4/23/08, ralaubach@xxxxxxx <ralaubach@xxxxxxx> wrote:
> From: ralaubach@xxxxxxx <ralaubach@xxxxxxx>
> Subject: [rollei_list] Bob Shell address
> To: rollei_list@xxxxxxxxxxxxx
> Date: Wednesday, April 23, 2008, 1:56 PM
> Hi all -
>
>
>
> Could someone kindly post Bob Shell's snail mail
> address - A friend of mine who is the local Canon Rep is a
> longtime friend of his and would like to write him. I
> neglected to save the email aways back with the address.
> Thanks,
>
>
>
>
> Bob Laubach
>
> Photo Dept
>
> Northern Virginia Community College
>
>
>
> -----Original Message-----
> From: Mark Rabiner <mark@xxxxxxxxxxxxxxxx>
> To: rollei_list@xxxxxxxxxxxxx
> Sent: Tue, 22 Apr 2008 11:06 pm
> Subject: [rollei_list] Re: Rolleiflex Appreciation
>
>
>
>
>
>
>
>
> > Mark -
> >
> > Not unless the Italian person speaks French. Here is a
> google translation:
> >
> > The end of the illustration?
> >
> > By Benjamin Martin-Tardivat Wednesday, January 23,
> 2008, 23:57
> >
> > It Tazio Secchiaroli, born in Rome in early 1950,
> ambiguous mixture,
> > equal Arsene Lupin, it embodies the kind photographic
> sulphur, the
> > paparazzo.
> >
> > (c) Tazio Secchiaroli
> >
> > With Lambretta, Rolleiflex and flash Braun, it
> revolutionized
> > photography press and the press itself, pursuing the
> stars and members
> > of the SOCIETY "JET", "PEOPLE" but
> almost.
> >
> > Photographs stolenŠ At first glance, meaningless. To
> give them, and
> > give them a market value, they mate with stories where
> action
> > Similarly, the fact of flashing people who are quick
> to defend itself,
> > is the story. This is not record a scene which would
> be the witness,
> > but to provoke altercations "false",
> "movement and scandal".
> >
> > (c) Tazio Secchiaroli
> >
> > After the shooting of LA DOLCE VITA, where Fellini,
> who borrowed
> > several episodes with accounts of Tazio Secchiaroli,
> finally fixed the
> > myth of the Via Veneto and the character of the
> paparazzo, it leaves
> > the street and enters another myth of the Rome 50-60
> years: the
> > glorious CINECITTA studios, where he became a
> photographer plateau.
> >
> > He also served for twenty years the photographer of
> record of Sophia
> > Loren, with whom he imagines false paparazzi scenes to
> feed the press
> > that the actress retains its tranquillityŠ
> >
> > (c) Tazio Secchiaroli
> >
> >
> > Eric Goldstein
> >
> > --
> >
> > On 4/22/08, Mark Rabiner <mark@xxxxxxxxxxxxxxxx>
> wrote:
> >> Maybe an Italian person can tell us what this is
> all about
> >>
> >>
> http://www.martintardivat.net/post/2008/01/17/LA-FIN-DE-LILLUSTRATION-PHOTOG
> >> RAPHIQUE-2
> >> Or
> >> http://tinyurl.com/694bqo
> >>
> >>
> >
> I love Google Translations. They cheer me right up!
> A shame Eugéne Ionesco the guy who wrote Rhinocéros did
> not live to
> experince it!
> http://en.wikipedia.org/wiki/Rhinoceros_(play)
>
> Mark William Rabiner
> markrabiner.com
>
>
> ---
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>
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