> Well it's all so cheap now isn't it? I have lenses I never dreamed I'd have > when I was a kid, but at prices that still don't qualify me as a glutton. I > even have more SLR bodies than I can use... To be honest, I wouldn't have > thought about all the technicalities if it weren't for discussions like this, > and I think it's been a good part of my on-going education. I appreciate the > frustration Mark, but thanks all the same. > > I'm working on my first print that's taxing all my ability to problem solve > and learn new skills, because I really want it right, and want to edition it, > and all of a sudden all the gear in the world doesn't matter one bit. They're > all just light boxes with curved glass over the hole. It's a portrait (a very > good one, even if the highlights are pain to burn in) by the way, and I took > it with my 2.8C. I don't mind the distortion one bit (not that I can see it). > > Elias > Print making is hard in the darkroom Plenty of people with darkrooms never bothered to follow though and make a really good print. Took me years to make a print as good as what I¹d see in the middle of the Pop and Modern photography magazines in the early 70¹s. Printed in Gravure. A silver print should really look better than a gravure. Mark William Rabiner markrabiner.com