[rodgersorganusers] Re: Analog

  • From: Topa12283@xxxxxxx
  • To: rodgersorgan@xxxxxxxxxxxxx
  • Date: Wed, 19 Nov 2003 17:12:28 EST

I read with great interest this talk of analog vs. digital.  I do a great 
deal of voicing for the local Rodgers dealer, so I've played on and worked with 
dozens and dozens of the newer digital organs.  My church owns a 27 year old 
Rodgers 990E, currently installed in the 500-seat chapel.  The new Sanctuary 
got 
a 5-manual Moller in 1989!  The chapel is an acoustical nightmare - the 
deadest room on earth.  The 990 sounded dreadful from day one.  Very cold and 
sterile, hitting you like a flame thrower.  I was surprised that the church 
actually wanted to spend a load of money on a pipe organ since their only 
experience 
with organ music came from this instrument.  But after we were settled into 
the new Sanctuary, I decided to go to work on the 990 in the chapel.  It had 
only two main speakers in addition to the Pedal cabinet and the solo reed horn. 
 
There were three balconies in the chapel, and all three had an antiphonal 
speaker that was too close to the seats.  I removed them and added them to the 
main organ, thus allowing me to split the channels (Swell reeds from one 
speaker 
and the flues from a separate source).  Much improvement!  I later added two 
Leslies and two Allen gyrophonic cabinets to the organ that operate through the 
Antiphonal channels.  Wow!!!   Then I spent three days revoicing every single 
control on the organ.  The original Rodgers dealer in town thought that every 
organ should sound like a Ruffatti, so all controls were turned to BRIGHT and 
SHRILL.  There was no air sound and no activity to the sound.  It was amazing 
what could be done with good voicing.  I moved the organ from a caustic 
Ruffatti to a "concert hall Austin" type of sound which was much friendlier in 
that 
dead room.  I also added a home-made reverb system using condenser mics, a 
MicroVerb digital reverb box, and several extra left-over speakers.  WOW!   
If given the chance, I would probably go for a new digital instrument, but 
only if it could have the three 32's, the multiple celestes, solo reed, and all 
the sub & super couplers that I've grown accustomed to.   Otherwise, leave my 
analog alone ... it rocks!!!!

Tom Alderman
Roswell, GA.


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