I'm using the glycin version. 1:5 was pretty puny to work with so I employed the scientific method of sapinkling a little hydroquinone and glycine into the working solution and that gave it a little boost. Ahh yes I forgot all about my great grand pappy's formula. (jk!) I have a 1/2 gallon of that here and might as well use it on some. I always liked the look of Nelson GT. Eric --- Richard Knoppow <dickburk@xxxxxxxxxxxxx> wrote: > > ----- Original Message ----- > From: "Nicholas O. Lindan" <nolindan@xxxxxxxxxxxxx> > To: <pure-silver@xxxxxxxxxxxxx> > Sent: Saturday, August 18, 2007 2:01 PM > Subject: [pure-silver] Re: Increasing Warmth In > Ansco 115, > Dassonville D-3 , et al > > > > From: "Eric Nelson" <emanmb@xxxxxxxxx> > > > >> Would there be any warmth benefit in adding > anything > >> to the 115 formula or increasing the amounts of > any of > >> the components? [to increase image warmth] > > > > You can try increasing the bromide from 4g/l stock > to > > 10g/l > > stock, a la WW-1. > > > > Or try Ansco 110, a hydroquinone only developer. > > > > -- > > Nicholas O. Lindan, Cleveland, Ohio > > Darkroom Automation: F-Stop Timers, Enlarging > Meters > > http://www.darkroomautomation.com/index.htm > > n o lindan at ix dot netcom dot com > > There are two Agfa formulas numbered 115. The > older > formula, found in European Agfa handbooks contains > Hydroquinone as the sole developing agent and > results in > great loss of paper speed and some loss of Dmax for > greatest > warmth. The other formula is a Hydroquinone and > Glycin > formula found in handbooks published by Agfa-Ansco > in the > U.S. If this is the one you are using there probably > isn't > anything which will produce warmer tones although > Gevaert > had some interseting very warm tone formulas. > Another possibility is to try Nelson's Gold > Toner. > This is a direct toner which is supposed to tone all > > densities evenly. It is somewhat expensive because > it > contains some Gold Chloride. > Prints toned in Nelson's must be fixed again > after > toning if the images are to be permanent. This step > was left > out of some versions of the Kodak instructions. Both > Kodak > and Agfa were licensed and have instructions but the > best > are found in the patent itself, USP 1,849,245. A PDF > version > of this can be downloaded from Google Patents. > AFAIK, the protective effect of Nelson's has > never > been tested but, if the final fixing step is carried > out, > the images should be as stable as those from other > sulfiding > toners. > The Gold tends to shift the color toward red a > bit so > it may mimic very warm tone paper better. > Note that the image color of untreated silver > is > mostly controlled by the grain size and structure, > warmer > tones coming from finer grains. In general, the > warmer the > tone the more vulnerable the images are to polutants > due to > the increased ratio of surface area to mass. This is > also > mainly why they tone faster. > > --- > Richard Knoppow > Los Angeles, CA, USA > dickburk@xxxxxxxxxxxxx > > ============================================================================================================= > To unsubscribe from this list, go to > www.freelists.org and logon to your account (the > same e-mail address and password you set-up when you > subscribed,) and unsubscribe from there. > ____________________________________________________________________________________Ready for the edge of your seat? Check out tonight's top picks on Yahoo! TV. http://tv.yahoo.com/ ============================================================================================================= To unsubscribe from this list, go to www.freelists.org and logon to your account (the same e-mail address and password you set-up when you subscribed,) and unsubscribe from there.