Film grain hides fine detail, lowers resolution, and is the opposite to smooth tonal changes. If you want any of these three, I think you want to eliminate visible grain. Whether the subject is fine foliage in a landscape where you want fine detail, the texture of rust and other worn surfaces in an industrial image where you want high resolution, or the surface of human skin or a skyscape where you want smooth tones, grain will get in the way. I agree there are some images in which these kinds of things aren't important. I also think those images are in the minority. Sandor Bob Randall <bob@xxxxxxxxxxxxxx> Sent by: pure-silver-bounce@xxxxxxxxxxxxx 01/09/2006 11:20 AM Please respond to pure-silver To <pure-silver@xxxxxxxxxxxxx> cc Subject [pure-silver] Re: Grain On 1/9/06 9:42 AM, "Sandor Mathe" <sandorm@xxxxxxxxxx> wrote: In my view 99% (OK maybe 98%) of the time, film grain gets in the way of the image. How does it get in the way? Bob